1. Crossings: An Interview with Kristin Linklater
  2. Dawne McCance
  3. pp. 1-45
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  1. The Santorini Experiment: How Philosophy Ended its Ancient Quarrel with Theatre
  2. Andro Linklater
  3. pp. 47-63
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  1. Re-imagining the Actor’s Quartet
  2. Rob Pensalfini
  3. pp. 65-87
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  1. Of Rabbit Holes and Aquamarines (Cabbages and Kings)
  2. Salomé M. Krell
  3. pp. 89-99
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  1. Philosophy of the Body
  2. Susan Main
  3. pp. 101-104
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  1. Santorini—A Stream of Images
  2. Alessandro Fabrizi
  3. pp. 105-108
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  1. The Moment of Nothing: A Philosophical Note on the Work of Kristin Linklater
  2. David Farrell Krell
  3. pp. 109-119
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  1. Reflection on the Santorini Voice Symposium
  2. KK Moggie
  3. p. 120
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  1. The Voice, the Body, and the Mind: Reflections in the Aftermath of Kant and Herder
  2. Angelica Nuzzo
  3. pp. 121-137
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  1. Reflection on the Santorini Voice Symposium
  2. Luitgard Janßen
  3. pp. 138-139
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  1. Voice as “Relational Space”: Agency beyond Narcissism or the Loss of Self
  2. Mollie Painter-Morland
  3. pp. 141-161
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  1. Reflection on the Santorini Voice Symposium
  2. Aurora Manuel
  3. pp. 162-163
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  1. The Voices That I Am
  2. Walter Brogan
  3. pp. 165-175
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  1. One Ship in the Night
  2. Nina Hesse Bernhard
  3. pp. 177-180
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  1. Freedom in Community: Aristotle’s Polis and Linklater’s Actor’s Quartet
  2. Kevin Thomas Miles
  3. pp. 181-195
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  1. Reflection on the Santorini Voice Symposium
  2. Anson Mount
  3. pp. 196-197
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  1. Why Santorini?: A Response in Two Voices
  2. Salomé M. Krell, David Farrell Krell
  3. pp. 199-208
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  1. Contributing Actors, Teachers, and Musicians
  2. pp. 209-210
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  1. Images
  2. p. 211
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  1. Introduction
  2. Dawne McCance
  3. pp. v-vii
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