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Table of Contents

  1. The Aporetic Ground of Revelation’s Authority in the Divine Comedy and Dante’s Demarcation and Defense of Philosophical Authority
  2. Jason Aleksander
  3. pp. 1-14
  4. DOI: https://doi.org/10.1353/ems.2010.0003
  5. restricted access
  1. Dante’s Heavenly Lessons: Educative Economy in the Paradiso
  2. Tonia Bernardi Triggiano
  3. pp. 15-26
  4. DOI: https://doi.org/10.1353/ems.2010.0005
  5. restricted access
  1. Connoisseurs of Sin: The Perils of the Confessional in Fabliaux and Marian Miracle Stories
  2. Elizabeth Dolly Weber
  3. pp. 27-43
  4. DOI: https://doi.org/10.1353/ems.2010.0007
  5. restricted access
  1. El Cid, the Impaler?: Line 1254 of the Poem of the Cid
  2. Alexander J. McNair
  3. pp. 45-68
  4. DOI: https://doi.org/10.1353/ems.2010.0008
  5. restricted access
  1. Choosing Thou or You to Reveal Ideal Relationships in “The Knight’s Tale”
  2. Raychel Haugrud Reiff
  3. pp. 69-84
  4. DOI: https://doi.org/10.1353/ems.2010.0009
  5. restricted access
  1. Rereading Clement in Thomas Chestre’s Octavian and in BL Cotton Caligula A.II
  2. William Fahrenbach
  3. pp. 85-99
  4. DOI: https://doi.org/10.1353/ems.2010.0000
  5. restricted access
  1. “no hie fæder cunnon”: But Twenty-First Century Film Makers Do
  2. William F. Hodapp
  3. pp. 101-108
  4. DOI: https://doi.org/10.1353/ems.2010.0002
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  1. The Cinematic Sexualizing of Beowulf
  2. E. L. Risden
  3. pp. 109-115
  4. DOI: https://doi.org/10.1353/ems.2010.0004
  5. restricted access
  1. Why Do Some Stories Keep Returning?: Modern Arthurian Fiction and the Narrative Structure of Romance
  2. Mary Frances Zambreno
  3. pp. 117-127
  4. DOI: https://doi.org/10.1353/ems.2010.0006
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  1. Preface: The Ends of Romance?
  2. Mickey Sweeney
  3. pp. v-vii
  4. DOI: https://doi.org/10.1353/ems.2010.0001
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