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In this Issue

Table of Contents

  1. Portable Shakespeare: Exigencies and "Magic" in Five-Actor Productions
  2. Alan C. Dessen
  3. pp. 1-25
  4. DOI: https://doi.org/10.1353/shb.2011.0007
  5. restricted access
  1. Rehearsal in Films of the Early Modern Theatre: The Erotic Art of Making Shakespeare
  2. Anna Kamaralli
  3. pp. 27-41
  4. DOI: https://doi.org/10.1353/shb.2011.0010
  5. restricted access
  1. Richard III, and: The Winter's Tale (review)
  2. Brett Gamboa
  3. pp. 43-53
  4. DOI: https://doi.org/10.1353/shb.2011.0013
  5. restricted access
  1. The Winter's Tale (review)
  2. Justin Shaltz
  3. pp. 54-56
  4. DOI: https://doi.org/10.1353/shb.2011.0000
  5. restricted access
  1. Much Ado About Nothing (review)
  2. Elizabeth Klett
  3. pp. 56-60
  4. DOI: https://doi.org/10.1353/shb.2011.0002
  5. restricted access
  1. The Comedy of Errors (review)
  2. Elizabeth E. Tavares
  3. pp. 60-64
  4. DOI: https://doi.org/10.1353/shb.2011.0004
  5. restricted access
  1. Macbeth (review)
  2. Angelique Warner
  3. pp. 64-68
  4. DOI: https://doi.org/10.1353/shb.2011.0006
  5. restricted access
  1. King Lear (review)
  2. Alaina Jobe Pangburn
  3. pp. 68-73
  4. DOI: https://doi.org/10.1353/shb.2011.0009
  5. restricted access
  1. Romeo and Juliet (review)
  2. Nancy Taylor Porter
  3. pp. 73-76
  4. DOI: https://doi.org/10.1353/shb.2011.0012
  5. restricted access
  1. All's Well That Ends Well, and: The Taming of the Shrew (review)
  2. Barbara Ann Lukacs
  3. pp. 77-85
  4. DOI: https://doi.org/10.1353/shb.2011.0014
  5. restricted access
  1. As You Like It, and: The Tempest (review)
  2. Michael J. Collins
  3. pp. 85-92
  4. DOI: https://doi.org/10.1353/shb.2011.0001
  5. restricted access
  1. As You Like It, and: The Tempest (review)
  2. Dana E. Aspinall
  3. pp. 92-101
  4. DOI: https://doi.org/10.1353/shb.2011.0003
  5. restricted access
  1. Henry IV, Part 1 and Henry IV, Part 2 (review)
  2. Laura Grace Godwin
  3. pp. 102-111
  4. DOI: https://doi.org/10.1353/shb.2011.0005
  5. restricted access
  1. Henry VIII, and: Anne Boleyn (review)
  2. Carolyn Sale
  3. pp. 111-125
  4. DOI: https://doi.org/10.1353/shb.2011.0008
  5. restricted access
  1. Weyward Macbeth: Intersections of Race and Performance (review)
  2. Nicholas Jones
  3. pp. 127-131
  4. DOI: https://doi.org/10.1353/shb.2011.0011
  5. restricted access