In this Issue

Table of Contents

Material Economy, Spiritual Economy, and Social Critique in Everyman

Elizabeth Harper, Britt Mize
pp. 263-311
DOI: https://doi.org/10.1353/cdr.2006.0033
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"Things like truths, well feigned": Mimesis And Secrecy in Jonson's Epicoene

Reuben Sanchez
pp. 313-336
DOI: https://doi.org/10.1353/cdr.2006.0035
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The Death of Representation and the Representation of Death: Ionesco, Beckett, and Stoppard

Zoran Milutinović
pp. 337-364
DOI: https://doi.org/10.1353/cdr.2006.0037
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Wales: Records of Early Drama (review)

John J. McGavin
pp. 365-371
DOI: https://doi.org/10.1353/cdr.2006.0039
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The Name and Nature of Tragicomedy (review)

Robert Henke
pp. 371-373
DOI: https://doi.org/10.1353/cdr.2006.0028
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The Masks of Anthony and Cleopatra (review)

Robert A. Logan
pp. 374-377
DOI: https://doi.org/10.1353/cdr.2006.0030
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Textual Patronage in English Drama, 1570-1640 (review)

Michael G. Brennan
pp. 377-380
DOI: https://doi.org/10.1353/cdr.2006.0032
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The Provincetown Players and the Culture of Modernity (review)

Cheryl Black
pp. 380-383
DOI: https://doi.org/10.1353/cdr.2006.0034
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Shakespeare and Chekhov in Production and Reception: Theatrical Events and their Audiences (review)

Gretchen E. Minton
pp. 383-386
DOI: https://doi.org/10.1353/cdr.2006.0036
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Performing Early Modern Trauma from Shakespeare to Milton (review)

Andrew Escobedo
pp. 386-389
DOI: https://doi.org/10.1353/cdr.2006.0038
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Theater and Incarnation (review)

Pamela M. King
pp. 390-393
DOI: https://doi.org/10.1353/cdr.2006.0027
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Bertolt Brecht's Dramatic Theory (review)

Carl Weber
pp. 393-399
DOI: https://doi.org/10.1353/cdr.2006.0029
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Brief Notices

pp. 401-404
DOI: https://doi.org/10.1353/cdr.2006.0031
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