In this Issue

Table of Contents

Staging Disorder: Charivari in the N-Town Cycle

Richard J. Moll
pp. 145-161
DOI: https://doi.org/10.1353/cdr.2001.0012
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Amphitheater Staging: In-the-Round or to the Front (and What About Asides)?

Richard Fotheringham
pp. 163-176
DOI: https://doi.org/10.1353/cdr.2001.0018
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Shakespeare's Edward III: A Consolation for English Recusants

J. P. Conlan
pp. 177-207
DOI: https://doi.org/10.1353/cdr.2001.0024
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Judeo-Christian Apocalyptic Literature and John Crowne's The Destruction of Jerusalem

John B. Rollins
pp. 209-224
DOI: https://doi.org/10.1353/cdr.2001.0030
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A Dictionary of Stage Directions in English Drama, 1580-1642 (review)

Michael D. Friedman
pp. 225-228
DOI: https://doi.org/10.1353/cdr.2001.0036
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Discontinuities: New Essays on Renaissance Literature and Criticism (review)

Nick Moschovakis
pp. 228-234
DOI: https://doi.org/10.1353/cdr.2001.0004
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Williams: A Streetcar Named Desire (review)

Robert Bray
pp. 234-237
DOI: https://doi.org/10.1353/cdr.2001.0010
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Performance Culture and Athenian Democracy (review)

Francis Dunn
pp. 237-240
DOI: https://doi.org/10.1353/cdr.2001.0016
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Three Turk Plays from Early Modern England: Selimus, A Christian Turned Turk, and The Renegado (review)

John Saillant
pp. 241-242
DOI: https://doi.org/10.1353/cdr.2001.0022
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Ibsen, Strindberg and the Intimate Theatre: Studies in TV Presentation (review)

Valerie Barnes Lipscomb
pp. 242-245
DOI: https://doi.org/10.1353/cdr.2001.0028
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