In this Issue

Table of Contents

Absorbing Interests: Kyd's Bloody Handkerchief as Palimpsest

Andrew Sofer
pp. 127-153
DOI: https://doi.org/10.1353/cdr.2000.0040
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The Urner Tellenspiel of 1512: Strategies of Early Political Drama

Martin W. Walsh
pp. 155-173
DOI: https://doi.org/10.1353/cdr.2000.0037
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Out of Ireland: Revisionist Strategies in Beckett's Drama

Laura Barge
pp. 175-209
DOI: https://doi.org/10.1353/cdr.2000.0041
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Bandello's "Timbreo and Fenicia" and The Winter's Tale

Thomas E. Mussio
pp. 211-244
DOI: https://doi.org/10.1353/cdr.2000.0023
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Dorset, and: Cornwall (review)

Brian Murdoch
pp. 245-248
DOI: https://doi.org/10.1353/cdr.2000.0027
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The Queen's Men and their Plays (review)

Sara Eaton
pp. 248-251
DOI: https://doi.org/10.1353/cdr.2000.0030
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Yiddish Proletarian Theatre: The Art and Politics of the Artef, 1925-1940 (review)

Ahuva Belkin
pp. 251-253
DOI: https://doi.org/10.1353/cdr.2000.0033
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New Sites for Shakespeare: Theatre, the Audience, and Asia (review)

Ralph Berry
pp. 253-258
DOI: https://doi.org/10.1353/cdr.2000.0036
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Stanislavsky in Focus (review)

Jason Merrill
pp. 258-261
DOI: https://doi.org/10.1353/cdr.2000.0039
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Shakespeare and the Authority of Performance (review)

James Coakley
pp. 261-264
DOI: https://doi.org/10.1353/cdr.2000.0022
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The Politics of Reputation: The Critical Reception of Tennessee Williams' Later Plays (review)

Felicia Hardison Londré
pp. 265-267
DOI: https://doi.org/10.1353/cdr.2000.0025
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