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Table of Contents

  1. How Music Matters: Some Songs of Robert Johnson in the Plays of Beaumont and Fletcher
  2. Catherine A. Henze
  3. pp. 1-32
  4. DOI: https://doi.org/10.1353/cdr.2000.0026
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  1. Race and the Yankee: Woodworth's The Forest Rose
  2. Jeffrey H. Richards
  3. pp. 33-51
  4. DOI: https://doi.org/10.1353/cdr.2000.0029
  5. restricted access
  1. Backbiter and the Rhetoric of Detraction
  2. Douglas W. Hayes
  3. pp. 53-78
  4. DOI: https://doi.org/10.1353/cdr.2000.0032
  5. restricted access
  1. Marlowe's Travesty of Virgil: Dido and Elizabethan Dreams of Empire
  2. Donald Stump
  3. pp. 79-107
  4. DOI: https://doi.org/10.1353/cdr.2000.0035
  5. restricted access
  1. Recycling the Cycle: The City of Chester and Its Whitsun Plays (review)
  2. Lawrence M. Clopper
  3. pp. 109-111
  4. DOI: https://doi.org/10.1353/cdr.2000.0038
  5. restricted access
  1. Shakespeare's Monarchies: Ruler and Subject in the Romances (review)
  2. Christy Desmet
  3. pp. 111-114
  4. DOI: https://doi.org/10.1353/cdr.2000.0021
  5. restricted access
  1. Three Uses of the Knife: On the Nature and Purpose of Drama (review)
  2. Richard W. Mitchell
  3. pp. 115-118
  4. DOI: https://doi.org/10.1353/cdr.2000.0024
  5. restricted access
  1. The Medieval Theater of Cruelty: Rhetoric, Memory, Violence (review)
  2. Leanne Groeneveld
  3. pp. 118-121
  4. DOI: https://doi.org/10.1353/cdr.2000.0028
  5. restricted access
  1. Marlowe's Counterfeit Profession: Ovid, Spenser, Counter-Nationhood (review)
  2. Grace Tiffany
  3. pp. 121-124
  4. DOI: https://doi.org/10.1353/cdr.2000.0031
  5. restricted access
  1. Music in the English Courtly Masque, 1604-1640 (review)
  2. Kathryn Lowerre
  3. pp. 124-126
  4. DOI: https://doi.org/10.1353/cdr.2000.0034
  5. restricted access