In this Issue

Table of Contents

How Music Matters: Some Songs of Robert Johnson in the Plays of Beaumont and Fletcher

Catherine A. Henze
pp. 1-32
DOI: https://doi.org/10.1353/cdr.2000.0026
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Race and the Yankee: Woodworth's The Forest Rose

Jeffrey H. Richards
pp. 33-51
DOI: https://doi.org/10.1353/cdr.2000.0029
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Backbiter and the Rhetoric of Detraction

Douglas W. Hayes
pp. 53-78
DOI: https://doi.org/10.1353/cdr.2000.0032
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Marlowe's Travesty of Virgil: Dido and Elizabethan Dreams of Empire

Donald Stump
pp. 79-107
DOI: https://doi.org/10.1353/cdr.2000.0035
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Recycling the Cycle: The City of Chester and Its Whitsun Plays (review)

Lawrence M. Clopper
pp. 109-111
DOI: https://doi.org/10.1353/cdr.2000.0038
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Shakespeare's Monarchies: Ruler and Subject in the Romances (review)

Christy Desmet
pp. 111-114
DOI: https://doi.org/10.1353/cdr.2000.0021
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Three Uses of the Knife: On the Nature and Purpose of Drama (review)

Richard W. Mitchell
pp. 115-118
DOI: https://doi.org/10.1353/cdr.2000.0024
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The Medieval Theater of Cruelty: Rhetoric, Memory, Violence (review)

Leanne Groeneveld
pp. 118-121
DOI: https://doi.org/10.1353/cdr.2000.0028
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Marlowe's Counterfeit Profession: Ovid, Spenser, Counter-Nationhood (review)

Grace Tiffany
pp. 121-124
DOI: https://doi.org/10.1353/cdr.2000.0031
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Music in the English Courtly Masque, 1604-1640 (review)

Kathryn Lowerre
pp. 124-126
DOI: https://doi.org/10.1353/cdr.2000.0034
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