In this Issue

Table of Contents

Contents

Talking with Ghosts of Irish Playwrights Past: Marina Carr's By the Bog of Cats ...

Richard Russell
pp. 149-168
DOI: https://doi.org/10.1353/cdr.2006.0008
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Edmund Eyre's The Maid of Normandy; or, Charlotte Corday in Anglo-Irish Docudrama

Wendy C. Nielsen
pp. 169-190
DOI: https://doi.org/10.1353/cdr.2006.0011
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Serving Don Juan: Decorum in Tirso de Molina and Molière

Robert Bayliss
pp. 191-215
DOI: https://doi.org/10.1353/cdr.2006.0015
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Money Changes Everything: Quarto and Folio The Merry Wives of Windsor and the Case for Revision

Peter Grav
pp. 217-240
DOI: https://doi.org/10.1353/cdr.2006.0019
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Reviews

Performance Approaches to Teaching Shakespeare (review)

Verna A. Foster
pp. 241-244
DOI: https://doi.org/10.1353/cdr.2006.0022
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The Censorship of British Drama, 1900-1968. Vol. 1, 1900-1932, and: The Censorship of British Drama, 1900-1968. Vol. 2, 1933-1952 (review)

William C. Boles
pp. 244-247
DOI: https://doi.org/10.1353/cdr.2006.0025
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Staging Governance: Theatrical Imperialism in London, 1770-1800 (review)

Betsy Bolton
pp. 248-251
DOI: https://doi.org/10.1353/cdr.2006.0007
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Shakespeare's History Plays: Performance, Translation, and Adaptation in Britain and Abroad (review)

Deneen Senasi
pp. 251-255
DOI: https://doi.org/10.1353/cdr.2006.0010
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Understanding Adrienne Kennedy (review)

Felicia Hardison Londre
pp. 256-258
DOI: https://doi.org/10.1353/cdr.2006.0013
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Brief Notices

Brief Notices

pp. 259-262
DOI: https://doi.org/10.1353/cdr.2006.0017
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