In this Issue

Table of Contents

Langston Hughes 1902-1967: A Centennial Celebration

DOI: https://doi.org/10.1353/cal.2002.0176
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"Don't Say Goodbye to the Porkpie Hat": Langston Hughes, the Left, and the Black Arts Movement

James Smethurst
pp. 1-14
DOI: https://doi.org/10.1353/cal.2002.0172
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Poems Written in Soviet Uzbekistan, 1932-33: From the 1934 Uzbek Translation of S.[anjar] Siddiq Prepared in English by Kevin Young, from the notes of Muhabbat Bakaeva

Langston Hughes, Kevin Young, Muhabbat Bakaeva
pp. 1-1113
DOI: https://doi.org/10.1353/cal.2002.0151
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Colored Dispatches From The Uzbek Border: Langston Hughes' Relevance, 1933-2002

David Chioni Moore
pp. 1-1135
DOI: https://doi.org/10.1353/cal.2002.0152
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Listening to What the Ear Demands: Langston Hughes and His Critics

Meta DuEwa Jones
pp. 1-1175
DOI: https://doi.org/10.1353/cal.2002.0154
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Natural and Unnatural Circumstances In Langston Hughes' Not Without Laughter

Elizabeth Schultz
pp. 1-1187
DOI: https://doi.org/10.1353/cal.2002.0171
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Africa/America: Fragmentation and Diaspora in the Work of Langston Hughes

Jeff Westover
pp. 1-1223
DOI: https://doi.org/10.1353/cal.2002.0174
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Night Talkers

Edwidge Danticat
pp. 1007-1020
DOI: https://doi.org/10.1353/cal.2002.0148
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Song to Anubis

Ed Roberson
p. 1021
DOI: https://doi.org/10.1353/cal.2002.0170
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Road Ikon

Ed Roberson
p. 1022
DOI: https://doi.org/10.1353/cal.2002.0169
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Someone Reaching Through a Window

Ed Roberson
p. 1023
DOI: https://doi.org/10.1353/cal.2002.0168
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Carry 't To the Captain

Ed Roberson
p. 1024
DOI: https://doi.org/10.1353/cal.2002.0167
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Simple As One Two

Ed Roberson
pp. 1025-1026
DOI: https://doi.org/10.1353/cal.2002.0166
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Stand-In Invocation

Ed Roberson
p. 1027
DOI: https://doi.org/10.1353/cal.2002.0165
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Chromatic Sequences

Ed Roberson
pp. 1028-1033
DOI: https://doi.org/10.1353/cal.2002.0164
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Sequoia Sempervirens

Ed Roberson
pp. 1034-1035
DOI: https://doi.org/10.1353/cal.2002.0163
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Empty Sky

Ed Roberson
pp. 1036-1037
DOI: https://doi.org/10.1353/cal.2002.0162
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Lucille Clifton and Sonia Sanchez: A conversation

Eisa Davis
pp. 1038-1074
DOI: https://doi.org/10.1353/cal.2002.0149
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Marie-Ange's Ginen

Marilene Phipps
pp. 1075-1082
DOI: https://doi.org/10.1353/cal.2002.0160
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From The Prince

Vernon Wilson
pp. 1083-1093
DOI: https://doi.org/10.1353/cal.2002.0175
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Langston Hughes

Yusef Komunyakaa
pp. 1136-1137
DOI: https://doi.org/10.1353/cal.2002.0155
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Cante Jondo

Yusef Komunyakaa
pp. 1138-1139
DOI: https://doi.org/10.1353/cal.2002.0156
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Langston Hughes + Poetry = The Blues

Yusef Komunyakaa
pp. 1140-1143
DOI: https://doi.org/10.1353/cal.2002.0157
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Modernism in the Black Diaspora: Langston Hughes and the Broken Cubes of Picasso

Seth Moglen
pp. 1188-1205
DOI: https://doi.org/10.1353/cal.2002.0158
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"Been Shapin Words T Fit M Soul": Cane, Language, and Social Change

Mary Battenfeld
pp. 1238-1249
DOI: https://doi.org/10.1353/cal.2002.0146
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The Poetics of Conjecture: Countee Cullen's Subversive Exemplarity

Jeremy Braddock
pp. 1250-1271
DOI: https://doi.org/10.1353/cal.2002.0147
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The Current Dialogue on Whiteness Studies

Lawrence J. Oliver
pp. 1272-1285
DOI: https://doi.org/10.1353/cal.2002.0159
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Blind Memory: Visual Representations of Slavery 1780-1865 (review)

Alan Rice
pp. 1278-1281
DOI: https://doi.org/10.1353/cal.2002.0161
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Raising the Dead: Readings of Death and (Black) Subjectivity (review)

Maurice Wallace
pp. 1281-1285
DOI: https://doi.org/10.1353/cal.2002.0173
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Author and Title Index to Callaloo Volume 25 (Whole Numbers 90-93)

pp. 1293-1303
DOI: https://doi.org/10.1353/cal.2002.0153
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Introduction

Brent Hayes Edwards
pp. 1-4
DOI: https://doi.org/10.1353/cal.2002.0150
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Contributors

pp. 1286-1288
DOI: https://doi.org/10.1353/cal.2002.0145
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