1. The Play of Surface: Theater and The Turn of the Screw
  2. Frances Babbage
  3. pp. 131-156
  4. DOI: 10.1353/cdr.2005.0027
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  1. Playing for Time (and Playing with Time) in Tom Stoppard's Arcadia
  2. Enoch Brater
  3. pp. 157-168
  4. DOI: 10.1353/cdr.2005.0014
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  1. The Sacralization of Revenge in Antonio's Revenge
  2. Phoebe S. Spinrad
  3. pp. 169-185
  4. DOI: 10.1353/cdr.2005.0017
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  1. "Look on this picture, and on this": Framing Shakespeare in William Wells Brown's The Escape
  2. Keith M. Botelho
  3. pp. 187-212
  4. DOI: 10.1353/cdr.2005.0020
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  1. Marlowe's Texts and Oral Transmission: Towards the Zielform
  2. Thomas Pettitt
  3. pp. 213-242
  4. DOI: 10.1353/cdr.2005.0022
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  1. Post-Imperial Brecht: Politics and Performance, East and South (review)
  2. Stephen Brockmann
  3. pp. 243-247
  4. DOI: 10.1353/cdr.2005.0024
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  1. The Cambridge Companion to Christopher Marlowe (review)
  2. Clifford Davidson
  3. pp. 247-250
  4. DOI: 10.1353/cdr.2005.0026
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  1. Strategies of Political Theatre: Post-War British Playwrights (review)
  2. Craig N. Owens
  3. pp. 257-260
  4. DOI: 10.1353/cdr.2005.0016
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  1. Brief Notices
  2. pp. 261-263
  3. DOI: 10.1353/cdr.2005.0019
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