Contents

  1. Joan of Arc Internationale: Shaw, Brecht, and the Law of Nations
  2. Julie Stone Peters
  3. pp. 355-377
  4. DOI: 10.1353/cdr.2004.0041
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  1. "Forward Backward" Time and the Apocalypse in Hamlet
  2. Maurice Hunt
  3. pp. 379-399
  4. DOI: 10.1353/cdr.2004.0043
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  1. Shakespeare, Molly House Culture, and the Eighteenth-Century Stage
  2. Charles Conaway
  3. pp. 401-423
  4. DOI: 10.1353/cdr.2004.0045
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  1. Interrogating the Devil: Social and Demonic Pressure in The Witch of Edmonton
  2. David Nicol
  3. pp. 425-445
  4. DOI: 10.1353/cdr.2004.0047
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Reviews

  1. Mary Magdalene and the Drama of Saints: Theater, Gender, and Religion in Late Medieval England (review)
  2. Peter Happé
  3. pp. 447-450
  4. DOI: 10.1353/cdr.2004.0048
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  1. Staged Properties in Early Modern Drama (review)
  2. Peter C. Herman
  3. pp. 451-455
  4. DOI: 10.1353/cdr.2004.0039
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  1. Saints and the Audience in Middle English Biblical Drama (review)
  2. Michael Chemers
  3. pp. 460-462
  4. DOI: 10.1353/cdr.2004.0042
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  1. The Roots of Theatre: Rethinking Ritual and Other Theories of Origin (review)
  2. Karen Bassi
  3. pp. 462-467
  4. DOI: 10.1353/cdr.2004.0044
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Brief Notices

  1. Brief Notices
  2. pp. 469-472
  3. DOI: 10.1353/cdr.2004.0046
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