In this Issue

Table of Contents

Joan of Arc Internationale: Shaw, Brecht, and the Law of Nations

Julie Stone Peters
pp. 355-377
DOI: https://doi.org/10.1353/cdr.2004.0041
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"Forward Backward" Time and the Apocalypse in Hamlet

Maurice Hunt
pp. 379-399
DOI: https://doi.org/10.1353/cdr.2004.0043
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Shakespeare, Molly House Culture, and the Eighteenth-Century Stage

Charles Conaway
pp. 401-423
DOI: https://doi.org/10.1353/cdr.2004.0045
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Interrogating the Devil: Social and Demonic Pressure in The Witch of Edmonton

David Nicol
pp. 425-445
DOI: https://doi.org/10.1353/cdr.2004.0047
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Mary Magdalene and the Drama of Saints: Theater, Gender, and Religion in Late Medieval England (review)

Peter Happé
pp. 447-450
DOI: https://doi.org/10.1353/cdr.2004.0048
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Staged Properties in Early Modern Drama (review)

Peter C. Herman
pp. 451-455
DOI: https://doi.org/10.1353/cdr.2004.0039
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A History of Shakespeare on Screen: A Century of Film and Television, and: Shakespeare, from Stage to Screen (review)

Robert C. Evans
pp. 455-459
DOI: https://doi.org/10.1353/cdr.2004.0040
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Saints and the Audience in Middle English Biblical Drama (review)

Michael Chemers
pp. 460-462
DOI: https://doi.org/10.1353/cdr.2004.0042
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The Roots of Theatre: Rethinking Ritual and Other Theories of Origin (review)

Karen Bassi
pp. 462-467
DOI: https://doi.org/10.1353/cdr.2004.0044
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Brief Notices

pp. 469-472
DOI: https://doi.org/10.1353/cdr.2004.0046
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