1. "Look not big, nor stamp, nor stare": Acting Up in The Taming of the Shrew and the Coventry Herod Plays
  2. Jonathan Gil Harris
  3. pp. 365-398
  4. DOI: 10.1353/cdr.2000.0017
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  1. "I would faine serve": John Lyly's Career at Court
  2. Derek B. Alwes
  3. pp. 399-421
  4. DOI: 10.1353/cdr.2000.0019
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  1. A Speculative Political Allegory in A Midsummer Night's Dream
  2. Maurice Hunt
  3. pp. 423-453
  4. DOI: 10.1353/cdr.2000.0010
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  1. Charismatic Authority in Early Modern English Tragedy (review)
  2. Christy Desmet
  3. pp. 455-458
  4. DOI: 10.1353/cdr.2000.0012
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  1. The Orient of the Boulevards: Exoticism, Empire, and Nineteenth-Century French Theater (review)
  2. Lifongo Vetinde
  3. pp. 458-461
  4. DOI: 10.1353/cdr.2000.0014
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  1. Of Borders and Thresholds: Theatre History, Practice, and Theory (review)
  2. Frank Bradley
  3. pp. 461-465
  4. DOI: 10.1353/cdr.2000.0015
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  1. Tragic Instance: The Sequence of Shakespeare's Tragedies (review)
  2. Alexander Leggatt
  3. pp. 466-468
  4. DOI: 10.1353/cdr.2000.0016
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  1. Church and Stage in Victorian England (review)
  2. Robert Sawyer
  3. pp. 469-472
  4. DOI: 10.1353/cdr.2000.0018
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  1. La comedia española y el teatro europeo del siglo XVII (review)
  2. Gary E. Bigelow
  3. pp. 472-474
  4. DOI: 10.1353/cdr.2000.0020
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  1. Index to Volume 34 (2000-2001)
  2. p. 475
  3. DOI: 10.1353/cdr.2000.0011
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  1. Reviews
  2. p. 476
  3. DOI: 10.1353/cdr.2000.0013
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