1. Menaechmi and the Renaissance of Comedy
  2. Richard F. Hardin
  3. pp. 255-274
  4. DOI: 10.1353/cdr.2003.0016
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  1. The Lost Playing Places of Lincolnshire
  2. James Stokes
  3. pp. 275-295
  4. DOI: 10.1353/cdr.2003.0021
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  1. Blackened Faces and a Veiled Woman: The Early Korčula Moreška
  2. Max Harris, Lada Čale Feldman
  3. pp. 297-320
  4. DOI: 10.1353/cdr.2003.0026
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  1. Chavittunātakam: Music-Drama in Kerala
  2. Joly Puthussery
  3. pp. 321-341
  4. DOI: 10.1353/cdr.2003.0031
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  1. Chinese Nuo and Japanese Noh: Nuo's Role in the Origination and Formation of Noh
  2. Min Tian
  3. pp. 343-360
  4. DOI: 10.1353/cdr.2003.0035
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  1. The Tyrone Anthology: Authority in the Last Act of Long Day's Journey into Night
  2. Lawrence Dugan
  3. pp. 379-395
  4. DOI: 10.1353/cdr.2003.0014
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  1. Extending the Breaks: Fires in the Mirror in the Context of Hip-Hop Structure, Style, and Culture
  2. Steve Feffer
  3. pp. 397-415
  4. DOI: 10.1353/cdr.2003.0019
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  1. Shakespeare at the Cineplex: The Kenneth Branagh Era (review)
  2. Robert C. Evans
  3. pp. 417-419
  4. DOI: 10.1353/cdr.2003.0025
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  1. Performance and Literature in the Commedia dell'Arte (review)
  2. Rosalind Kerr
  3. pp. 419-422
  4. DOI: 10.1353/cdr.2003.0030
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  1. Sussex: Records of Early English Drama (review)
  2. Mark C. Pilkinton
  3. pp. 423-428
  4. DOI: 10.1353/cdr.2003.0034
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  1. Forever Juliet: The Life and Letters of Gwen Ffrangcon-Davies 1891-1992 (review)
  2. Ann Eljenholm Nichols
  3. pp. 428-430
  4. DOI: 10.1353/cdr.2003.0038
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  1. Performing Canada: The Nation Enacted in the Imagined Theatre (review)
  2. Anne Nothof
  3. pp. 430-434
  4. DOI: 10.1353/cdr.2003.0013
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  1. Shakespeare on the American Yiddish Stage (review)
  2. Michael Shapiro
  3. pp. 434-437
  4. DOI: 10.1353/cdr.2003.0018
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  1. The Federal Theatre Project: A Case Study (review)
  2. Jeffrey H. Richards
  3. pp. 438-440
  4. DOI: 10.1353/cdr.2003.0023
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  1. Brief Notices
  2. pp. 441-445
  3. DOI: 10.1353/cdr.2003.0028
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