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In this Issue

Table of Contents

Feature Articles

  1. Memory
  2. Pil Hansen, Bruce Barton
  3. pp. 3-5
  4. DOI: https://doi.org/10.1353/ctr.2011.0002
  5. restricted access
  1. And in the Future I Don't Remember What Happened Yet: A Back and Forth on the Experience of Memory in relay
  2. Marie Claire Forté, Jacob Zimmer
  3. pp. 6-10
  4. DOI: https://doi.org/10.1353/ctr.2011.0006
  5. restricted access
  1. Processing Memory in 300 TAPES and relay
  2. Pil Hansen
  3. pp. 11-16
  4. DOI: https://doi.org/10.1353/ctr.2011.0010
  5. restricted access
  1. Elaborations and Responses to "Processing Memory"
  2. Ame Henderson
  3. pp. 12-16
  4. DOI: https://doi.org/10.1353/ctr.2011.0023
  5. restricted access
  1. 300 Tapes
  2. Public Recordings
  3. pp. 17-20
  4. DOI: https://doi.org/10.1353/ctr.2011.0014
  5. restricted access
  1. 100 Steps: Working on Memory
  2. Evan Webber
  3. pp. 21-25
  4. DOI: https://doi.org/10.1353/ctr.2011.0017
  5. restricted access
  1. Me Talking to Myself in the Future: An Interview with Marie Brassard
  2. J. Paul Halferty
  3. pp. 26-30
  4. DOI: https://doi.org/10.1353/ctr.2011.0020
  5. restricted access
  1. A Hopeful Present
  2. Yvette Nolan
  3. pp. 31-34
  4. DOI: https://doi.org/10.1353/ctr.2011.0000
  5. restricted access
  1. How Does a Forgetful Woman Dance?
  2. Aimée Dawn Robinson
  3. pp. 35-39
  4. DOI: https://doi.org/10.1353/ctr.2011.0004
  5. restricted access
  1. Undressing
  2. Maiko Bae Yamamoto
  3. pp. 40-42
  4. DOI: https://doi.org/10.1353/ctr.2011.0008
  5. restricted access
  1. Memory's Borderlands: Onelight Theatre's Return Ticket: Halifax-Abadan-Halifax
  2. Roberta Barker
  3. pp. 43-46
  4. DOI: https://doi.org/10.1353/ctr.2011.0012
  5. restricted access
  1. A Trip to Bohemia: The Paranoid Confesses
  2. Sky Gilbert
  3. pp. 47-51
  4. DOI: https://doi.org/10.1353/ctr.2011.0016
  5. restricted access
  1. Peterborough In Memoriam
  2. P.K. Brask
  3. pp. 52-55
  4. DOI: https://doi.org/10.1353/ctr.2011.0019
  5. restricted access
  1. Dear Citizens of Tennessee
  2. James Long
  3. pp. 56-59
  4. DOI: https://doi.org/10.1353/ctr.2011.0022
  5. restricted access
  1. Edna's Archive: Performing Absence in a Troubled Home of Memory
  2. Andrew Houston
  3. pp. 60-65
  4. DOI: https://doi.org/10.1353/ctr.2011.0003
  5. restricted access
  1. Before we get into the event—I would like to hear from you in what way you think that my love affected you: (verbatim fragments on memory and loss—from a piece that I have been working on my whole adult life and may never write)
  2. Marcus Youssef
  3. pp. 66-72
  4. DOI: https://doi.org/10.1353/ctr.2011.0007
  5. restricted access
  1. Swimmer (68): A perfomance text-in-progress
  2. Ker Wells, Bruce Barton
  3. pp. 73-87
  4. DOI: https://doi.org/10.1353/ctr.2011.0011
  5. restricted access
  1. Views and Reviews
  2. Natalie Alvarez
  3. pp. 88-89
  4. DOI: https://doi.org/10.1353/ctr.2011.0024
  5. restricted access

Views and Reviews

  1. Realism/Terrorism: The Walworth Farce
  2. Kim Solga
  3. pp. 89-91
  4. DOI: https://doi.org/10.1353/ctr.2011.0018
  5. restricted access
  1. Remembering Beckett
  2. Matthew Hays
  3. pp. 92-94
  4. DOI: https://doi.org/10.1353/ctr.2011.0021
  5. restricted access
  1. Violence, Memory, and America
  2. Alex McLean
  3. pp. 94-97
  4. DOI: https://doi.org/10.1353/ctr.2011.0001
  5. restricted access
  1. Place Remembers
  2. Kendra Fanconi, Eric Rhys Miller
  3. pp. 97-99
  4. DOI: https://doi.org/10.1353/ctr.2011.0005
  5. restricted access
  1. Stanislavsky as Catalyst
  2. Grahame Renyk
  3. pp. 99-100
  4. DOI: https://doi.org/10.1353/ctr.2011.0009
  5. restricted access
  1. Directors and Voice Work: An Attempt to Bridge the Gap
  2. David Ley
  3. pp. 100-101
  4. DOI: https://doi.org/10.1353/ctr.2011.0013
  5. restricted access