1. Magic Mirrors in Richard II
  2. Robert M. Schuler
  3. pp. 151-181
  4. DOI: 10.1353/cdr.2004.0034
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  1. Meanings of All for Love, 1677-1813
  2. Tanya Caldwell
  3. pp. 183-211
  4. DOI: 10.1353/cdr.2004.0037
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  1. Anti-Colonist Discourse, Tragicomedy, and the "American" Behn
  2. Adam R. Beach
  3. pp. 213-233
  4. DOI: 10.1353/cdr.2004.0024
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  1. Politesse and the Woman at Risk: The Social Comedies of Marie-Thérèse De Camp
  2. Adrienne Scullion
  3. pp. 235-258
  4. DOI: 10.1353/cdr.2004.0027
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  1. An American in Ireland: The Representation of the American in Brian Friel's Plays
  2. Maria Germanou
  3. pp. 259-276
  4. DOI: 10.1353/cdr.2004.0029
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  1. Memory, Composition, and the Relationship of King John to The Troublesome Raigne of King John
  2. Beatrice Groves
  3. pp. 277-290
  4. DOI: 10.1353/cdr.2004.0031
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  1. Serious Money Becomes "Business by Other Means": Caryl Churchill's Metatheatrical Subject
  2. Daniel Jernigan
  3. pp. 291-313
  4. DOI: 10.1353/cdr.2004.0033
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  1. The Shattering of the Self: Violence, Subjectivity, and Early Modern Texts (review)
  2. James Hirsh
  3. pp. 321-324
  4. DOI: 10.1353/cdr.2004.0023
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  1. Shakespeare's Second Historical Tetralogy: Some Christian Features (review)
  2. Maurice Hunt
  3. pp. 325-327
  4. DOI: 10.1353/cdr.2004.0026
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  1. Shakespeare and Italy: The City and the Stage (review)
  2. Fritz Levy
  3. pp. 327-329
  4. DOI: 10.1353/cdr.2004.0028
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  1. Shakespeare's Early History Plays: From Chronicle to Stage (review)
  2. Fritz Levy
  3. pp. 329-332
  4. DOI: 10.1353/cdr.2004.0030
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  1. The Past as Present in the Drama of August Wilson (review)
  2. Steve Feffer
  3. pp. 332-336
  4. DOI: 10.1353/cdr.2004.0032
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  1. The Stage Life of Props (review)
  2. Frances Teague
  3. pp. 336-338
  4. DOI: 10.1353/cdr.2004.0035
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  1. The Drama Handbook: A Guide to Reading Plays (review)
  2. Kirk Hendershott-Kraetzer
  3. pp. 338-341
  4. DOI: 10.1353/cdr.2004.0038
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  1. Brief Notices
  2. pp. 343-350
  3. DOI: 10.1353/cdr.2004.0025
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