In this Issue

Table of Contents

"Those Proud Titles Thou Hast Won": Sovereignty, Power, and Combat in Shakespeare's Second Tetralogy

Jennifer Low
pp. 269-290
DOI: https://doi.org/10.1353/cdr.2000.0001
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London and the Problem of the Clerkenwell Plays

Lawrence M. Clopper
pp. 291-303
DOI: https://doi.org/10.1353/cdr.2000.0003
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Temporizing as Pyrrhonizing in Marston's The Malcontent

William M. Hamlin
pp. 305-320
DOI: https://doi.org/10.1353/cdr.2000.0005
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"My naked weapon": Male Anxiety and the Violent Courtship of the Jacobean Stage Widow

Jennifer Panek
pp. 321-344
DOI: https://doi.org/10.1353/cdr.2000.0007
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Women's Matters: Politics, Gender, and Nation in Shakespeare's Early History Plays (review)

Christy Desmet
pp. 345-348
DOI: https://doi.org/10.1353/cdr.2000.0008
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Enter the King: Theatre, Liturgy, and Ritual in the Medieval Civic Triumph (review)

W. R. Streitberger
pp. 348-350
DOI: https://doi.org/10.1353/cdr.2000.0009
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The Shakespeare Trade: Performances and Appropriations (review)

Sara Eaton
pp. 351-353
DOI: https://doi.org/10.1353/cdr.2000.0000
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Making Subject(s): Literature and the Emergence of National Identity (review)

Gonzalo Martínez Camino
pp. 353-355
DOI: https://doi.org/10.1353/cdr.2000.0002
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The Just and the Lively: The Literary Criticism of John Dryden (review)

Jennifer Brady
pp. 356-358
DOI: https://doi.org/10.1353/cdr.2000.0004
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Theatre of Chaos: Beyond Absurdism, into Orderly Disorder (review)

Jeffrey D. Hoeper
pp. 359-363
DOI: https://doi.org/10.1353/cdr.2000.0006
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