1. "Those Proud Titles Thou Hast Won": Sovereignty, Power, and Combat in Shakespeare's Second Tetralogy
  2. Jennifer Low
  3. pp. 269-290
  4. DOI: 10.1353/cdr.2000.0001
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  1. London and the Problem of the Clerkenwell Plays
  2. Lawrence M. Clopper
  3. pp. 291-303
  4. DOI: 10.1353/cdr.2000.0003
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  1. Temporizing as Pyrrhonizing in Marston's The Malcontent
  2. William M. Hamlin
  3. pp. 305-320
  4. DOI: 10.1353/cdr.2000.0005
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  1. "My naked weapon": Male Anxiety and the Violent Courtship of the Jacobean Stage Widow
  2. Jennifer Panek
  3. pp. 321-344
  4. DOI: 10.1353/cdr.2000.0007
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  1. Women's Matters: Politics, Gender, and Nation in Shakespeare's Early History Plays (review)
  2. Christy Desmet
  3. pp. 345-348
  4. DOI: 10.1353/cdr.2000.0008
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  1. Enter the King: Theatre, Liturgy, and Ritual in the Medieval Civic Triumph (review)
  2. W. R. Streitberger
  3. pp. 348-350
  4. DOI: 10.1353/cdr.2000.0009
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  1. The Shakespeare Trade: Performances and Appropriations (review)
  2. Sara Eaton
  3. pp. 351-353
  4. DOI: 10.1353/cdr.2000.0000
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  1. Making Subject(s): Literature and the Emergence of National Identity (review)
  2. Gonzalo Martínez Camino
  3. pp. 353-355
  4. DOI: 10.1353/cdr.2000.0002
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  1. The Just and the Lively: The Literary Criticism of John Dryden (review)
  2. Jennifer Brady
  3. pp. 356-358
  4. DOI: 10.1353/cdr.2000.0004
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  1. Theatre of Chaos: Beyond Absurdism, into Orderly Disorder (review)
  2. Jeffrey D. Hoeper
  3. pp. 359-363
  4. DOI: 10.1353/cdr.2000.0006
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