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In this Issue

Table of Contents

  1. Dissident or Conformist Passing: Merzak Allouache’s Chouchou
  2. Mireille Rosello
  3. pp. 2-17
  4. DOI: https://doi.org/10.1353/scr.2011.0003
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  1. The Gulf War, the Iraq War, and Nouri Bouzid’s Cinema of Defeat: It’s Scheherazade We’re Killing (1993) and Making Of (2006)
  2. Jeffrey Ruoff
  3. pp. 18-35
  4. DOI: https://doi.org/10.1353/scr.2011.0005
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  1. Representing Gender and Sexual Trauma: Moufida Tlatli’s Silences of the Palace
  2. Anne Donadey
  3. pp. 36-51
  4. DOI: https://doi.org/10.1353/scr.2011.0007
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  1. Mean Streets, Bad Boys, Drugs and Rock ‘n’ Roll: Morocco’s Urban Legends of the 21st Century
  2. Valérie K. Orlando
  3. pp. 52-73
  4. DOI: https://doi.org/10.1353/scr.2011.0009
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  1. Burning the Past: Moroccan Cinema of Illegal Immigration
  2. Jonathan Smolin
  3. pp. 74-89
  4. DOI: https://doi.org/10.1353/scr.2011.0011
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  1. The Ethics and Politics of Laila Marrakchi’s Marock
  2. Mohammed Hirchi
  3. pp. 90-108
  4. DOI: https://doi.org/10.1353/scr.2011.0000
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  1. All In the Family: Abdellatif Kechiche’s La Graine et le Mulet (The Secret of the Grain)
  2. Mary Jean Green
  3. pp. 109-123
  4. DOI: https://doi.org/10.1353/scr.2011.0002
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  1. My Father and I: The Marais and the Queerness of Community (review)
  2. Brian Martin
  3. pp. 124-126
  4. DOI: https://doi.org/10.1353/scr.2011.0006
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  1. Paris from the Ground Up , and: The Heroic City: Paris 1945–1958 (review)
  2. Katherine Gantz
  3. pp. 126-130
  4. DOI: https://doi.org/10.1353/scr.2011.0008
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  1. Approaches to Teaching Teresa of Ávila and the Spanish Mystics (review)
  2. Patricia Timmons
  3. pp. 130-132
  4. DOI: https://doi.org/10.1353/scr.2011.0010
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  1. Introduction: Cinema In and Out of the Maghreb
  2. Mary Jean Green
  3. p. 1
  4. DOI: https://doi.org/10.1353/scr.2011.0001
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  1. Notes on Contributors
  2. pp. 133-134
  3. DOI: https://doi.org/10.1353/scr.2011.0004
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