Issue Cover

From: The Velvet Light Trap

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restricted access   Number 67, Spring 2011

Table of Contents

Seeing Race: The Enduring Dilemma

Introduction

pp. 1-2
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DOI: 10.1353/vlt.2011.0006
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Sincere Fictions: The Production Cultures of Whiteness in Late 1960s Hollywood

pp. 3-13
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DOI: 10.1353/vlt.2011.0008
Eithne Quinn
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Alabama Constitutional Reform in Black and White

pp. 14-27
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DOI: 10.1353/vlt.2011.0000
Gina Caison
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Black Man/White Machine: Will Smith Crosses Over

pp. 28-40
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DOI: 10.1353/vlt.2011.0002
Lorrie Palmer
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Beyond Tokenism and Tricksterism: Bobby Lee, MADtv, and the De(con)structive Impulse of Korean American Comedy

pp. 41-56
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DOI: 10.1353/vlt.2011.0003
David Scott Diffrient
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Revisiting Sunday Morning Apartheid: The Politics of Color Blindness and Racial Formation in the Harry Reid Controversy

pp. 57-65
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DOI: 10.1353/vlt.2011.0004
Doug E. Julien
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The Racial Politics of Disaster and Dystopia in I Am Legend

pp. 66-76
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DOI: 10.1353/vlt.2011.0005
Sean Brayton
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Punk Slash! Musicals: Tracking Slip-Synch on Film (review)

pp. 77-79
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DOI: 10.1353/vlt.2011.0007
Curran Nault
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Global Television: Co-Producing Culture (review)

pp. 80-82
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DOI: 10.1353/vlt.2011.0009
Kevin Sanson
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Errata for Issue 65

p. 83
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DOI: 10.1353/vlt.2011.0001
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