1. Écouter-voir (ou l'autre vie). Autour de La Nouba d'Assia Djebar
  2. André Benhaïm
  3. pp. 1-15
  4. DOI: 10.1353/frf.2010.0010
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  1. Selma Baccar's Fatma 1975: at the crossroads between Third Cinema and New Arab Cinema
  2. Stefanie Van de Peer
  3. pp. 17-35
  4. DOI: 10.1353/frf.2010.0013
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  1. The appeal of hybrid documentary forms in West Africa
  2. Maria Loftus
  3. pp. 37-55
  4. DOI: 10.1353/frf.2010.0001
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  1. Cinéma documentaire et expériences féminines en Afrique francophone
  2. Alexie Tcheuyap
  3. pp. 57-77
  4. DOI: 10.1353/frf.2010.0003
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  1. Unraveling the ethnographic encounter: Institutionalization and scientific tourism in the œuvre of Jean Rouch
  2. Peter J. Bloom
  3. pp. 79-94
  4. DOI: 10.1353/frf.2010.0005
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  1. Katanga Business—Pale Peko Bantu. Notes sur deux moments de cinéma postcolonial belge
  2. Jérémy Hamers
  3. pp. 95-113
  4. DOI: 10.1353/frf.2010.0000
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  1. Narrating the City: Documentary or Fiction in Harrikrisna Anenden's La Cathédrale
  2. Anjali Prabhu
  3. pp. 115-134
  4. DOI: 10.1353/frf.2010.0009
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  1. Utopies du BUMIDOM: Construire l'avenir dans un "là-bas" postcontact
  2. Anny Dominique Curtius
  3. pp. 135-155
  4. DOI: 10.1353/frf.2010.0012
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  1. Implication sociale et documentaire au Québec, de Maurice Proulx à Éric 'Roach' Denis
  2. Gwenn Scheppler
  3. pp. 157-179
  4. DOI: 10.1353/frf.2010.0002
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  1. The Sounds of Everyday Life in Rithy Panh's Documentaries
  2. Panivong Norindr
  3. pp. 181-190
  4. DOI: 10.1353/frf.2010.0004
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  1. Documenting the Periphery: The Short Films of Faïza Guène
  2. Dominic Thomas
  3. pp. 191-208
  4. DOI: 10.1353/frf.2010.0006
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  1. Le cinéma documentaire contemporain en Suisse romande: Jean-Stéphane Bron, figure de proue
  2. Alain Boillat
  3. pp. 209-231
  4. DOI: 10.1353/frf.2010.0008
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  1. La théorie et les rendez-vous. Sur quelques films documentaires de Raúl Ruiz
  2. Érik Bullot
  3. pp. 233-248
  4. DOI: 10.1353/frf.2010.0011
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  1. Introduction
  2. Philippe Met, Dominic Thomas
  3. pp. vii-viii
  4. DOI: 10.1353/frf.2010.0014
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