In this Issue

Table of Contents

Écouter-voir (ou l'autre vie). Autour de La Nouba d'Assia Djebar

André Benhaïm
pp. 1-15
DOI: https://doi.org/10.1353/frf.2010.0010
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Selma Baccar's Fatma 1975: at the crossroads between Third Cinema and New Arab Cinema

Stefanie Van de Peer
pp. 17-35
DOI: https://doi.org/10.1353/frf.2010.0013
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The appeal of hybrid documentary forms in West Africa

Maria Loftus
pp. 37-55
DOI: https://doi.org/10.1353/frf.2010.0001
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Cinéma documentaire et expériences féminines en Afrique francophone

Alexie Tcheuyap
pp. 57-77
DOI: https://doi.org/10.1353/frf.2010.0003
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Unraveling the ethnographic encounter: Institutionalization and scientific tourism in the œuvre of Jean Rouch

Peter J. Bloom
pp. 79-94
DOI: https://doi.org/10.1353/frf.2010.0005
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Katanga Business—Pale Peko Bantu. Notes sur deux moments de cinéma postcolonial belge

Jérémy Hamers
pp. 95-113
DOI: https://doi.org/10.1353/frf.2010.0000
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Narrating the City: Documentary or Fiction in Harrikrisna Anenden's La Cathédrale

Anjali Prabhu
pp. 115-134
DOI: https://doi.org/10.1353/frf.2010.0009
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Utopies du BUMIDOM: Construire l'avenir dans un "là-bas" postcontact

Anny Dominique Curtius
pp. 135-155
DOI: https://doi.org/10.1353/frf.2010.0012
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Implication sociale et documentaire au Québec, de Maurice Proulx à Éric 'Roach' Denis

Gwenn Scheppler
pp. 157-179
DOI: https://doi.org/10.1353/frf.2010.0002
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The Sounds of Everyday Life in Rithy Panh's Documentaries

Panivong Norindr
pp. 181-190
DOI: https://doi.org/10.1353/frf.2010.0004
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Documenting the Periphery: The Short Films of Faïza Guène

Dominic Thomas
pp. 191-208
DOI: https://doi.org/10.1353/frf.2010.0006
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Le cinéma documentaire contemporain en Suisse romande: Jean-Stéphane Bron, figure de proue

Alain Boillat
pp. 209-231
DOI: https://doi.org/10.1353/frf.2010.0008
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La théorie et les rendez-vous. Sur quelques films documentaires de Raúl Ruiz

Érik Bullot
pp. 233-248
DOI: https://doi.org/10.1353/frf.2010.0011
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Introduction

Philippe Met, Dominic Thomas
pp. vii-viii
DOI: https://doi.org/10.1353/frf.2010.0014
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