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In this Issue

Table of Contents

  1. Editor's Column: The Comparatist in Transition
  2. John Burt Foster Jr.
  3. pp. 1-4
  4. DOI: https://doi.org/10.1353/com.2004.0012
  5. restricted access

Essays

Comparative Perspectives on the Longer Lyric

  1. Companions with Time: Milton, Tasso, and Renaissance Dialogue
  2. W. Scott Howard
  3. pp. 5-28
  4. DOI: https://doi.org/10.1353/com.2004.0015
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  1. The Myth of Poetry: On Heidegger's "Hölderlin"
  2. Andreas Grossmann, Donald F. Goodwin
  3. pp. 29-38
  4. DOI: https://doi.org/10.1353/com.2004.0000
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  1. "Directing" the Reader: Khodasevich's "Sorrento Photographs" and Montage
  2. Jason Brooks
  3. pp. 39-51
  4. DOI: https://doi.org/10.1353/com.2004.0003
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Verbal/Visual Interactions. Specific Instances and Theoretical Interventions (co-edited with Nikita Nankov)

  1. Chronos/Chroma: Yellow Figures in Proust's La Prisonnière and Bely's Petersburg
  2. Sabine Doran
  3. pp. 53-75
  4. DOI: https://doi.org/10.1353/com.2004.0006
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  1. Derrida/Blanchot/Boltanski: Borderdiscourse
  2. Stephen Barker
  3. pp. 96-111
  4. DOI: https://doi.org/10.1353/com.2004.0011
  5. restricted access

Comparatist Readings of Popular Icons

  1. The "Golden, Holy Cord of Calculation": Collodi's Second Thoughts on Pinocchio
  2. Dan Latimer
  3. pp. 113-134
  4. DOI: https://doi.org/10.1353/com.2004.0014
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  1. Jules Verne in Transylvania
  2. Roxana M. Verona
  3. pp. 135-150
  4. DOI: https://doi.org/10.1353/com.2004.0017
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Review Essays

  1. Deleuze and His Time: A Prophecy Fulfilled
  2. Florin Berindeanu
  3. pp. 151-153
  4. DOI: https://doi.org/10.1353/com.2004.0002
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  1. Theory Matters (review)
  2. Christian Moraru
  3. pp. 153-156
  4. DOI: https://doi.org/10.1353/com.2004.0005
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Reviews

  1. What Is World Literature? (review)
  2. Elizabeth M. Richmond-Garza
  3. pp. 157-158
  4. DOI: https://doi.org/10.1353/com.2004.0008
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  1. Posts and Pasts: A Theory of Postcolonialism (review)
  2. Alexander Gil Fuentes
  3. pp. 158-160
  4. DOI: https://doi.org/10.1353/com.2004.0010
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  1. Death of a Discipline (review)
  2. Alfred López
  3. pp. 160-162
  4. DOI: https://doi.org/10.1353/com.2004.0013
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Booknotes

  1. Decadent Subjects (review)
  2. Douglas Norman
  3. pp. 163-164
  4. DOI: https://doi.org/10.1353/com.2004.0001
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  1. Stage Fright: Modernism, Anti-Theatricality, and Drama (review)
  2. Anne V. Cirella-Urrutia
  3. p. 165
  4. DOI: https://doi.org/10.1353/com.2004.0004
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Books Received

  1. Books Received
  2. pp. 166-173
  3. DOI: https://doi.org/10.1353/com.2004.0007
  4. restricted access

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Volume 27, May 2003

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