1. Hew Locke's Postcolonial Baroque
  2. Kobena Mercer
  3. pp. 1-25
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  1. The Problem of the Hero(ine) in Caribbean History
  2. Richard Drayton
  3. pp. 26-45
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  1. Cajou's "Color Complex": Narrative Technique, Reader Response, and the Reception of Postcolonial Texts
  2. Cheryl Duffus
  3. pp. 46-57
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  1. Yam, Roots, and Rot: Allegories of the Provision Grounds
  2. Elizabeth DeLoughrey
  3. pp. 58-75
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  1. The Hearts of Men?: Gender in the Late C. L. R. James
  2. Aaron Kamugisha
  3. pp. 76-94
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  1. Jamaican Nationalism, Queer Intimacies, and the Disjunctures of the Chinese Diaspora: Patricia Powell's The Pagoda
  2. Jason Frydman
  3. pp. 95-109
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  1. Césaire Reads Toussaint Louverture: The Haitian Revolution and the Problem of Departmentalization
  2. John Patrick Walsh
  3. pp. 110-124
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  1. The Knower
  2. Sheryl Byfield
  3. pp. 125-131
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  1. The Visual Life of Catastrophic History: A Small Axe Project Statement
  2. pp. 133-136
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  1. Lovers Rock
  2. John Goto
  3. pp. 137-146
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  1. "Luxurious Resting Places for the Idle and Vicious"?: The Rise and Fall of Penal Reform in Jamaica in the 1840s
  2. Jonathan Dalby
  3. pp. 147-163
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  1. Freedom's Prisons: Incarceration, Emancipation, and Modernity in No Bond but the Law
  2. Melanie J. Newton
  3. pp. 164-175
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  1. Revisiting No Bond but the Law
  2. Diana Paton
  3. pp. 176-186
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  1. Errata
  2. p. 189
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  1. Preface: Remnants, Exigencies, . . . Islands
  2. David Scott
  3. pp. vii-x
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  1. Contributors
  2. pp. 187-188
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