In this Issue

Table of Contents

The Laws of Comparison: H. D. and Cinematic Formalism

Jonathan Foltz
pp. 1-25
DOI: https://doi.org/10.1353/mod.2011.0006
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The Transcultural Roots of Modernism: Imagist Poetry, Japanese Visual Culture, and the Western Museum System

Rupert Richard Arrowsmith
pp. 27-42
DOI: https://doi.org/10.1353/mod.2011.0010
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Scrapping Modernism: Marianne Moore and the Making of the Modern Collage Poem

Bartholomew Brinkman
pp. 43-66
DOI: https://doi.org/10.1353/mod.2011.0014
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"Sweet Fascism in the Piney Woods": Absalom, Absalom! as Fascist Fable

Jeanne A. Follansbee
pp. 67-94
DOI: https://doi.org/10.1353/mod.2011.0017
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The Chinese Parrot: Technê-Pop Culture and the Oriental Detective Film

R. John Williams
pp. 95-124
DOI: https://doi.org/10.1353/mod.2011.0020
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Revising The Antiphon, Restaging Trauma; or, Where Sexual Politics Meet Textual History

Julie Taylor
pp. 125-147
DOI: https://doi.org/10.1353/mod.2011.0001
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Techno-Primitivism: Á Propos of Lady Chatterley's Lover

David Trotter
pp. 149-166
DOI: https://doi.org/10.1353/mod.2011.0004
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Perpetuating the Myth: Sergey Diaghilev and the Ballets Russes

Giannandrea Poesio
pp. 167-173
DOI: https://doi.org/10.1353/mod.2011.0008
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Everyday Life Studies: A Review

Liesl Olson
pp. 175-180
DOI: https://doi.org/10.1353/mod.2011.0012
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Virginia Woolf, Modernity and History: Constellations with Walter Benjamin (review)

Benjamin Robinson
pp. 181-183
DOI: https://doi.org/10.1353/mod.2011.0016
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Citizen, Invert, Queer: Lesbianism and War in Early Twentieth-Century Britain (review)

Laura Doan
pp. 183-184
DOI: https://doi.org/10.1353/mod.2011.0019
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Joyce, Medicine, and Modernity (review)

Sean Latham
pp. 185-187
DOI: https://doi.org/10.1353/mod.2011.0000
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James Joyce (review)

Vike Martina Plock
pp. 187-188
DOI: https://doi.org/10.1353/mod.2011.0003
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Joyce's Disciples Disciplined: A Re-Exagmination of the 'Exagmination' of 'Work in Progress' (review)

Geert Lernout
pp. 189-190
DOI: https://doi.org/10.1353/mod.2011.0007
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Parody: The Art that Plays with Art (review)

Simon Dentith
pp. 190-192
DOI: https://doi.org/10.1353/mod.2011.0011
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On Mount Vision: Forms of the Sacred in Contemporary American Poetry (review)

Matthew Mutter
pp. 192-194
DOI: https://doi.org/10.1353/mod.2011.0015
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True Friendship: Geoffrey Hill, Anthony Hecht and Robert Lowell Under the Sign of Eliot and Pound (review)

Natalie Pollard
pp. 194-196
DOI: https://doi.org/10.1353/mod.2011.0018
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The Total Work of Art: From Bayreuth to Cyberspace, and: Modernism after Wagner (review)

Nicholas Vazsonyi
pp. 196-199
DOI: https://doi.org/10.1353/mod.2011.0021
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Multimedia Modernism: Literature and the Anglo-American Avant-Garde (review)

Chris Forster
pp. 199-201
DOI: https://doi.org/10.1353/mod.2011.0002
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Errant Modernism: The Ethos of Photography in Mexico and Brazil (review)

Rubén Gallo
pp. 201-203
DOI: https://doi.org/10.1353/mod.2011.0005
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Red Desert (Il deserto rosso) (review)

Joseph Luzzi
pp. 205-209
DOI: https://doi.org/10.1353/mod.2011.0009
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Recent Books of Interest

pp. 211-212
DOI: https://doi.org/10.1353/mod.2011.0013
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