1. "Bodied Forth": Spectator, Stage, and Actor in the Early Modern Theater
  2. Jennifer A. Low
  3. pp. 1-29
  4. DOI: 10.1353/cdr.2005.0010
  5. restricted access contents
  1. Thomas Heywood's The Royall King, and the Loyall Subject and the Fall of Robert Devereux, Second Earl of Essex
  2. Kevin Lindberg
  3. pp. 31-53
  4. DOI: 10.1353/cdr.2005.0012
  5. restricted access contents
  1. Jonsons Volpone and Dante
  2. Christopher Baker, Richard Harp
  3. pp. 55-74
  4. DOI: 10.1353/cdr.2005.0001
  5. restricted access contents
  1. "In Better Places": Space, Identity, and Alienation in Sarah Kane's Blasted
  2. Christopher Wixson
  3. pp. 75-91
  4. DOI: 10.1353/cdr.2005.0003
  5. restricted access contents
  1. Oxford: Records of Early English Drama (review)
  2. Mark C. Pilkinton
  3. pp. 93-99
  4. DOI: 10.1353/cdr.2005.0005
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  1. Holy Estates: Marriage and Monarchy in Shakespeare and his Contemporaries (review)
  2. Amy L. Smith
  3. pp. 100-103
  4. DOI: 10.1353/cdr.2005.0007
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  1. The Idea of the Theatre in Latin Christian Thought: Augustine to the Fourteenth Century (review)
  2. Michael M. Chemers
  3. pp. 103-105
  4. DOI: 10.1353/cdr.2005.0009
  5. restricted access contents
  1. The Theatre of Suzuki Tadashi (review)
  2. Loren Edelson
  3. pp. 106-109
  4. DOI: 10.1353/cdr.2005.0011
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  1. Contemporary Black and Asian Women Playwrights in Britain (review)
  2. Sara Freeman
  3. pp. 109-112
  4. DOI: 10.1353/cdr.2005.0000
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  1. Richard Brome: Place and Politics on the Caroline Stage (review)
  2. Matthew C. Hansen
  3. pp. 112-114
  4. DOI: 10.1353/cdr.2005.0002
  5. restricted access contents
  1. Shakespeare Minus 'Theory' (review)
  2. Richard Harp
  3. pp. 115-117
  4. DOI: 10.1353/cdr.2005.0004
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  1. The Preaching Fox: Festive Subversion in the Plays of the Wakefield Master (review)
  2. Liam Purdon
  3. pp. 118-125
  4. DOI: 10.1353/cdr.2005.0006
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  1. Brief Notices
  2. pp. 127-129
  3. DOI: 10.1353/cdr.2005.0008
  4. restricted access contents