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In this Issue

Table of Contents

  1. Preface
  2. pp. ix-x
  3. DOI: https://doi.org/10.1353/ecf.2002.0040
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Author and Book

  1. La Question de la publication dans le roman français de la seconde moitié du XVIIIe siècle
  2. Martine Nuel
  3. pp. 271-288
  4. DOI: https://doi.org/10.1353/ecf.2002.0024
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  1. Print Culture in Transition: Tristram Shandy, the Reviewers, and the Consumable Text
  2. Shaun Regan
  3. pp. 289-310
  4. DOI: https://doi.org/10.1353/ecf.2002.0028
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  1. Tristram Shandy, the Public Ledger, and William Dodd
  2. Anne Bandry
  3. pp. 311-324
  4. DOI: https://doi.org/10.1353/ecf.2002.0031
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  1. Goldsmith on Authorship in The Vicar of Wakefield
  2. Maureen Harkin
  3. pp. 325-344
  4. DOI: https://doi.org/10.1353/ecf.2002.0034
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  1. From Propensity to Profession: Female Authorship and the Early Career of Frances Burney
  2. Betty A. Schellenberg
  3. pp. 345-370
  4. DOI: https://doi.org/10.1353/ecf.2002.0038
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  1. Maria Edgeworth's Writing Classes
  2. Aileen Douglas
  3. pp. 371-390
  4. DOI: https://doi.org/10.1353/ecf.2002.0018
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Book Illustration

  1. Picturing the Text: Authorial Direction of Illustration in Eighteenth-Century French Fiction
  2. Nicholas Cronk
  3. pp. 391-414
  4. DOI: https://doi.org/10.1353/ecf.2002.0022
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  1. La Mise en fiction de l'imprimé dans les romans du XVIII e siècle (textes et illustrations)
  2. Nathalie Ferrand
  3. pp. 415-439
  4. DOI: https://doi.org/10.1353/ecf.2002.0026
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  1. Picturing "Samuel Richardson": Francis Hayman and the Intersections of Word and Image
  2. Janet E. Aikins
  3. pp. 465-505
  4. DOI: https://doi.org/10.1353/ecf.2002.0033
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  1. Tobias Smollett, Anthony Walker, and the First Illustrated Serial Novel in English
  2. Robert Folkenflik
  3. pp. 507-532
  4. DOI: https://doi.org/10.1353/ecf.2002.0037
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  1. Les Illustrations du Voyage Sentimental de Laurence Sterne dans les livres du XVIIIe siècle
  2. Madeleine Blondel
  3. pp. 575-624
  4. DOI: https://doi.org/10.1353/ecf.2002.0021
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History of the Book

  1. In Other Words: Eighteenth-Century Authorship and the Ornaments of Print
  2. Christopher Flint
  3. pp. 625-672
  4. DOI: https://doi.org/10.1353/ecf.2002.0025
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  1. Grandison's Grandeur as Printed Book: A Look at the Eighteenth-Century Novel's Quest for Status
  2. Janine Barchas
  3. pp. 673-714
  4. DOI: https://doi.org/10.1353/ecf.2002.0029
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  1. French Prose Fiction Published between 1701 and 1750: A New Profile of Production
  2. Richard Frautschi, Angus Martin
  3. pp. 735-756
  4. DOI: https://doi.org/10.1353/ecf.2002.0035
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  1. Éditer un roman à succès (1800-1830)
  2. Brigitte Louichon
  3. pp. 757-770
  4. DOI: https://doi.org/10.1353/ecf.2002.0039
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  1. Gender and Reading in the Late Eighteenth Century: The Bibliothèque Universelle des Romans
  2. Martin Hall
  3. pp. 771-790
  4. DOI: https://doi.org/10.1353/ecf.2002.0019
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  1. La Présence des romans dans le colportage à la fin du XVIII e siècle: les archives de Boisserand
  2. Françoise Weil
  3. pp. 791-796
  4. DOI: https://doi.org/10.1353/ecf.2002.0023
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  1. Collecting Eighteenth-Century English Novels in the Twenty-First Century
  2. Carl Spadoni
  3. pp. 797-806
  4. DOI: https://doi.org/10.1353/ecf.2002.0027
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Contributors

  1. Contributors
  2. pp. v-vii
  3. DOI: https://doi.org/10.1353/ecf.2002.0036
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