In this Issue

Table of Contents

Freakery, Cult Films, and the Problem of Ambivalence

David Church
pp. 3-17
DOI: https://doi.org/10.1353/jfv.2011.0003
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Mel Brooks Meets Kenneth Burke (and Mikhail Bakhtin): Comedy and Burlesque in Satiric Film

Beth E. Bonnstetter
pp. 18-31
DOI: https://doi.org/10.1353/jfv.2011.0005
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"The play's the thing, wherein I'll catch the conscience of the king": Intertextuality in Om Shanti Om

Sudha Shastri
pp. 32-43
DOI: https://doi.org/10.1353/jfv.2011.0007
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The Illusion of Continuity: Active Perception and the Classical Editing System

Todd Berliner, Dale J. Cohen
pp. 44-63
DOI: https://doi.org/10.1353/jfv.2011.0008
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Global Bollywood

Anne Slatton
pp. 64-66
DOI: https://doi.org/10.1353/jfv.2011.0000
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Scenes of Instruction: The Beginnings of the U.S. Study of Film

Carey Martin
pp. 66-67
DOI: https://doi.org/10.1353/jfv.2011.0001
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Digital Storytelling: The Narrative Power of Visual Effects in Film

Robert B. Musburger
pp. 67-69
DOI: https://doi.org/10.1353/jfv.2011.0002
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Why We Fought: America's Wars in Film and History

Sean D. Cleveland
pp. 69-71
DOI: https://doi.org/10.1353/jfv.2011.0004
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The Contemporary Hollywood Film Industry

Justin Philpot
pp. 71-72
DOI: https://doi.org/10.1353/jfv.2011.0006
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