1. Flat-Footed and Fly-Blown: The Realities of Realism
  2. Ian Watt
  3. pp. 147-166
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  1. "A Matter Discutable": The Rise of the Novel
  2. W.B. Carnochan
  3. pp. 167-184
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  1. Two or Three Things I Know about Setting
  2. Max Byrd
  3. pp. 185-192
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  1. The Man Who Came to Dinner: Ian Watt and the Theory of Formal Realism
  2. Michael Seidel
  3. pp. 193-212
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  1. A Question of Beginnings
  2. Robert B. Alter
  3. pp. 213-226
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  1. Serious Reflections on Daniel Defoe (with an Excursus on the Farther Adventures of Ian Watt and Two Notes on the Present State of Literary Studies)
  2. J. Paul Hunter
  3. pp. 227-238
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  1. Gendered Cultural Criticism and the Rise of the Novel: The Case of Defoe
  2. Maximillian E. Novak
  3. pp. 239-252
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  1. Watt's Rise of the Novel within the Tradition of the Rise of the Novel
  2. Michael McKeon
  3. pp. 253-276
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  1. Did You Say Middle Class?: The Question of Taste and the Rise of the Novel
  2. Robert Mayer
  3. pp. 277-308
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  1. Mary Davys's "Probable Feign'd Stories" and Critical Shibboleths about "The Rise of the Novel"
  2. J.A. Downie
  3. pp. 309-326
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  1. Ideas and Voices: The New Novel in Eighteenth-Century England
  2. John Richetti
  3. pp. 327-344
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  1. Personal Effects and Sentimental Fictions
  2. Deidre Lynch
  3. pp. 345-368
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  1. Personal Identity, Narrative, and History: The Female Quixote and Redgauntlet
  2. Everett Zimmerman
  3. pp. 369-390
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  1. Staging Readers Reading
  2. William Beatty Warner
  3. pp. 391-416
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  1. Fatal Fluency: Behn's Fiction and the Restoration Letter
  2. Janet Todd
  3. pp. 417-434
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  1. Shandyism, Or, the Novel in Its Assy Shape: African Apuleius, The Golden Ass, and Prose Fiction
  2. Margaret Anne Doody
  3. pp. 435-457
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  1. The New Model Eighteenth-Century Novel
  2. Robert Folkenflik
  3. pp. 459-478
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  1. Reconsidering Origins: How Novel Are Theories of the Novel?
  2. Lennard J. Davis
  3. pp. 479-499
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  1. Contributors
  3. pp. v-vi
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  1. Introduction
  2. David Blewett
  3. pp. 141-146
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