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In this Issue

Table of Contents

  1. Recent Approaches to Sound and Music in Spanish Audiovisual Media
  2. Teresa Fraile, Eduardo Viñuela
  3. pp. 135-138
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  1. The Sound of Silent Film in Spain: Heterogeneity and homeopatía escénica
  2. Julio Arce, Yolanda Acker
  3. pp. 139-160
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  1. The Spanish 'Crusade Film': Gender connotations during the conflict
  2. Laura Miranda, Dan Hamer
  3. pp. 161-172
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  1. Land Without Bread: A film that never stops ringing
  2. Philippe Roger
  3. pp. 173-176
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  1. The Bolero in the Cinema of Pedro Almodóvar
  2. Karen Poe, Benedict Hoff
  3. pp. 177-195
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  1. The Sound of Fear in Recent Spanish Films
  2. Martin Barnier
  3. pp. 197-211
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  1. Music and European Identity: Notes on Pere Portabella's The Silence Before Bach
  2. Jaume Radigales
  3. pp. 213-224
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  1. The Film Composer in Spain: The generation of '89
  2. Josep Lluís i Falcó, Dolores Gadler
  3. pp. 226-235
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  1. Spanish Literature on Music and Image: A critical selection
  2. Teresa Fraile, Eduardo Viñuela
  3. pp. 238-244
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  1. The Music of Michael Nyman: Texts, Contexts and Intertexts (review)
  2. Guido Heldt
  3. pp. 245-251
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  1. Film, A Sound Art (review)
  2. William Whittington
  3. pp. 253-260
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  1. Terror Tracks: Music, Sound and Horror Cinema (review)
  2. Reynold Humphries
  3. pp. 261-265
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  1. Erich Wolfgang Korngold's 'The Adventures of Robin Hood', and: Mychael Danna's 'The Ice Storm', and: Alex North's 'A Streetcar Named Desire' (review)
  2. Janet K. Halfyard
  3. pp. 267-277
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  1. Shakespeare, Madness, and Music: Scoring Insanity in Cinematic Adaptations (review)
  2. Julie Sanders
  3. pp. 279-285
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  1. Index to Volume 4
  3. pp. 290-291
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  1. Contributors to issue 4:2
  3. pp. 287-289
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