1. Trees, and: Claiming Lost Dances, and: To Miss X
  2. Thomas McAfee
  3. pp. 5-9
  4. DOI: 10.1353/mis.1983.0081
  5. restricted access
  1. Trees
  2. Thomas McAfee
  3. p. 7
  4. DOI: 10.1353/mis.1983.0131
  5. restricted access
  1. Claiming Lost Dances
  2. Thomas McAfee
  3. p. 8
  4. DOI: 10.1353/mis.1983.0136
  5. restricted access
  1. To Miss X
  2. Thomas McAfee
  3. p. 9
  4. DOI: 10.1353/mis.1983.0142
  5. restricted access
  1. Dancing
  2. David St. John
  3. pp. 10-11
  4. DOI: 10.1353/mis.1983.0140
  5. restricted access
  1. Dancing, and: The Ash Tree
  2. David St. John
  3. pp. 10-14
  4. DOI: 10.1353/mis.1983.0096
  5. restricted access
  1. The Ash Tree
  2. David St. John
  3. pp. 12-14
  4. DOI: 10.1353/mis.1983.0146
  5. restricted access
  1. Two Figures in Mt. Hope Cemetery
  2. Jack Heflin
  3. p. 15
  4. DOI: 10.1353/mis.1983.0110
  5. restricted access
  1. Velasquez' Juan de Pareja
  2. Colleen J. McElroy
  3. pp. 16-17
  4. DOI: 10.1353/mis.1983.0032
  5. restricted access
  1. The Vigil
  2. James Ulmer
  3. p. 18
  4. DOI: 10.1353/mis.1983.0046
  5. restricted access
  1. Walking Out
  2. William Trowbridge
  3. p. 19
  4. DOI: 10.1353/mis.1983.0060
  5. restricted access
  1. Padua
  2. Gregory Orr
  3. pp. 20-21
  4. DOI: 10.1353/mis.1983.0147
  5. restricted access
  1. Padua, and: Bright Light: Blank Page, and: The Gray Fox, and: Walking a Small, Frozen River in Sunlight
  2. Gregory Orr
  3. pp. 20-24
  4. DOI: 10.1353/mis.1983.0074
  5. restricted access
  1. Bright Light: Blank Page
  2. Gregory Orr
  3. p. 22
  4. DOI: 10.1353/mis.1983.0119
  5. restricted access
  1. The Gray Fox
  2. Gregory Orr
  3. p. 23
  4. DOI: 10.1353/mis.1983.0124
  5. restricted access
  1. Walking a Small, Frozen River in Sunlight
  2. Gregory Orr
  3. p. 24
  4. DOI: 10.1353/mis.1983.0129
  5. restricted access
  1. Iron
  2. Jack Hand
  3. p. 25
  4. DOI: 10.1353/mis.1983.0089
  5. restricted access
  1. Homage to a Missed Season
  2. James McCorkle
  3. pp. 26-27
  4. DOI: 10.1353/mis.1983.0104
  5. restricted access
  1. Balsa
  2. Marvin Bell
  3. p. 28
  4. DOI: 10.1353/mis.1983.0118
  5. restricted access
  1. Balsa, and: Great Leaning Ferns, and: A View in the Rain, and: Shoulders of Tropical Rain
  2. Marvin Bell
  3. pp. 28-31
  4. DOI: 10.1353/mis.1983.0026
  5. restricted access
  1. Great Leaning Ferns
  2. Marvin Bell
  3. p. 29
  4. DOI: 10.1353/mis.1983.0123
  5. restricted access
  1. A View in the Rain
  2. Marvin Bell
  3. p. 30
  4. DOI: 10.1353/mis.1983.0128
  5. restricted access
  1. Shoulders of Tropical Rain
  2. Marvin Bell
  3. p. 31
  4. DOI: 10.1353/mis.1983.0133
  5. restricted access
  1. Mimosa
  2. Deborah Digges
  3. pp. 32-33
  4. DOI: 10.1353/mis.1983.0041
  5. restricted access
  1. What Is Wrong With This Picture?
  2. Jim Simmerman
  3. pp. 34-35
  4. DOI: 10.1353/mis.1983.0121
  5. restricted access
  1. What Is Wrong With This Picture?, and: If
  2. Jim Simmerman
  3. pp. 34-36
  4. DOI: 10.1353/mis.1983.0055
  5. restricted access
  1. If
  2. Jim Simmerman
  3. p. 36
  4. DOI: 10.1353/mis.1983.0126
  5. restricted access
  1. American Bandstand
  2. Michael Waters
  3. p. 37
  4. DOI: 10.1353/mis.1983.0138
  5. restricted access
  1. American Bandstand, and: Monopoly, and: Green Shoes
  2. Michael Waters
  3. pp. 37-40
  4. DOI: 10.1353/mis.1983.0069
  5. restricted access
  1. Monopoly
  2. Michael Waters
  3. pp. 38-39
  4. DOI: 10.1353/mis.1983.0144
  5. restricted access
  1. Green Shoes
  2. Michael Waters
  3. p. 40
  4. DOI: 10.1353/mis.1983.0149
  5. restricted access
  1. Recent Poetry Selections
  2. Carolyne Wright
  3. pp. 41-62
  4. DOI: 10.1353/mis.1983.0084
  5. restricted access
  1. After the Splendid Display
  2. Don Bogen
  3. pp. 63-67
  4. DOI: 10.1353/mis.1983.0099
  5. restricted access
  1. Belling the Flock
  2. Wendy Wieber
  3. pp. 68-70
  4. DOI: 10.1353/mis.1983.0113
  5. restricted access
  1. Joseph's-of-the-Morning
  2. Patrick Madden
  3. p. 71
  4. DOI: 10.1353/mis.1983.0035
  5. restricted access
  1. Fish Fucking
  2. Michael Blumenthal
  3. pp. 72-74
  4. DOI: 10.1353/mis.1983.0049
  5. restricted access
  1. Shoreline
  2. Sidney Burris
  3. pp. 75-76
  4. DOI: 10.1353/mis.1983.0063
  5. restricted access
  1. Esperanza's Hair
  2. Peggy Shumaker
  3. p. 77
  4. DOI: 10.1353/mis.1983.0077
  5. restricted access
  1. Looney Tunes
  2. Michael Pettit
  3. pp. 78-81
  4. DOI: 10.1353/mis.1983.0092
  5. restricted access
  1. In Her Bath
  2. Lois Lindblad
  3. pp. 82-83
  4. DOI: 10.1353/mis.1983.0107
  5. restricted access
  1. In Bombay
  2. David Ray
  3. p. 84
  4. DOI: 10.1353/mis.1983.0029
  5. restricted access
  1. Leaving Home
  2. Martha McFerren
  3. pp. 85-87
  4. DOI: 10.1353/mis.1983.0044
  5. restricted access
  1. This Is the Way It Will Be
  2. Jeanne Bernhard
  3. pp. 88-94
  4. DOI: 10.1353/mis.1983.0058
  5. restricted access
  1. from Dead Sea
  2. Jorge Amado, Gregory Rabassa
  3. pp. 95-108
  4. DOI: 10.1353/mis.1983.0072
  5. restricted access
  1. From Internal War
  2. Volodia Teitelboim, Gregory Rabassa
  3. pp. 109-117
  4. DOI: 10.1353/mis.1983.0087
  5. restricted access
  1. The Secret Meeting With Mr. Eliot
  2. Gloria Whelan
  3. pp. 118-125
  4. DOI: 10.1353/mis.1983.0102
  5. restricted access
  1. Toward the Sun
  2. Kent Nelson
  3. pp. 126-134
  4. DOI: 10.1353/mis.1983.0116
  5. restricted access
  1. A Hunk of Burning Love
  2. Francois Camoin
  3. pp. 135-141
  4. DOI: 10.1353/mis.1983.0039
  5. restricted access
  1. An Interview with Harry Crews
  2. Harry Crews, Kay Bonetti
  3. pp. 143-164
  4. DOI: 10.1353/mis.1983.0053
  5. restricted access
  1. Saul Bellow and the University As Villain
  2. Ben Siegel
  3. pp. 165-188
  4. DOI: 10.1353/mis.1983.0067
  5. restricted access
  1. The Primacy of the Reader
  2. Cleanth Brooks
  3. pp. 189-201
  4. DOI: 10.1353/mis.1983.0082
  5. restricted access
  1. Contributors
  3. pp. 202-203
  4. DOI: 10.1353/mis.1983.0097
  5. restricted access