In this Issue
The Missouri Review, founded in 1978, has helped shape the contemporary literary scene by offering the finest work of today’s most important writers and by discovering the brightest new voices in fiction, poetry, and the essay. We are a quarterly publication based at the University of Missouri, and work first published in our magazine has been anthologized over 100 times in Best American Short Stories, Best American Essays, Best American Travel Writing, Best American Poetry, The O. Henry Prize Anthology, and The Pushcart Prize. Additionally, we publish special features on art, and interviews with a diverse body of contemporary writers. Our “History as Literature” series, we publish historical documents that have literary significance or effect, and the “Found Text” series features previously unpublished work by literary giants of the past, including Mark Twain, Tennessee Williams, Katherine Anne Porter, William Faulkner, Charlotte Bronte, Jack Kerouac, and Marianne Moore.
published byUniversity of Missouri
viewing issueVolume 16, Number 2, 1993
Table of Contents
- The Infinite Plan, and: How I Came West and Why I Stayed, and: Vox, and: The Hard to Catch Mercy, and: Shadow Play, and: Manuscripts Don't Burn: Mikhail Bulgakov—A Life in Letters and Diaries, and: My Alexandria, and: Russian Beauty, and: Another Good Loving Blues, and: Against Forgetting: Twentieth-Century Poetry of Witness, and: The Poetry of Survival: Post-War Poets of Central and Eastern Europe, and: Boomfell, and: The American Heritage Dictionary of the English Language, and: Now and in Time to Be: Ireland and the Irish, and: Very Old Bones, and: Green Grass, Running Water, and: Midaq Alley, and: Foxfire—Confessions of a Girl Gang, and: Guardian Angel, and: At Seventy: The Journals of May Sarton, and: Curriculum Vitae, and: Carnival Culture: The Trashing of Taste in America, and: New York in the Fifties (review)
- pp. 208-219
- DOI: 10.1353/mis.1993.0022
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