In this Issue
The Missouri Review, founded in 1978, has helped shape the contemporary literary scene by offering the finest work of today’s most important writers and by discovering the brightest new voices in fiction, poetry, and the essay. We are a quarterly publication based at the University of Missouri, and work first published in our magazine has been anthologized over 100 times in Best American Short Stories, Best American Essays, Best American Travel Writing, Best American Poetry, The O. Henry Prize Anthology, and The Pushcart Prize. Additionally, we publish special features on art, and interviews with a diverse body of contemporary writers. Our “History as Literature” series, we publish historical documents that have literary significance or effect, and the “Found Text” series features previously unpublished work by literary giants of the past, including Mark Twain, Tennessee Williams, Katherine Anne Porter, William Faulkner, Charlotte Bronte, Jack Kerouac, and Marianne Moore.
published byUniversity of Missouri
viewing issueVolume 15, Number 2, 1992
Table of Contents
- How the Garcia Girls Lost Their Accents, and: Leonardo: Discovering the Life of Leonardo da Vinci, and: More Shapes Than One, and: Tall Stranger, and: Rising Sun, and: The Trail Home, and: After Henry, and: South America Mi Hija, and: Backlash: The Undeclared War Against American Women, and: The Readers' Companion to American History, and: Far From Any Coast, Pieces of America's Heartland, and: Cowboys Are My Weakness, and: Birds of Sorrow: Notes from a River Junction in Northern New Mexico, and: Immortality, and: The General in His Labyrinth, and: The Digs in Escondido Canyon, and: Writing for Love and Money, and: Let It Ride, and: A Thousand Acres, and: Maus II: A Survivor's Tale; And Here My Troubles Began, and: Maus, and: Where The Bluebird Sings To The Lemonade Springs, and: Outerbridge Reach, and: Life Force, and: Begin to Exit Here (review)
- pp. 209-217
- DOI: 10.1353/mis.1992.0035
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