1. Explaining Death to the Dog
  2. Susan Perabo
  3. pp. 7-12
  4. DOI: 10.1353/mis.1991.0035
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  1. The Gravediggers and the Elephant
  2. Alan Levin
  3. pp. 13-24
  4. DOI: 10.1353/mis.1991.0041
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  1. A Bar in Aspen
  2. James Tate
  3. p. 25
  4. DOI: 10.1353/mis.1991.0080
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  1. Pimone, Stranded in the Countryside
  2. James Tate
  3. p. 26
  4. DOI: 10.1353/mis.1991.0085
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  1. Porch Theory
  2. James Tate
  3. p. 27
  4. DOI: 10.1353/mis.1991.0090
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  1. More About Peggy
  2. James Tate
  3. p. 28
  4. DOI: 10.1353/mis.1991.0095
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  1. From an Island
  2. James Tate
  3. p. 29
  4. DOI: 10.1353/mis.1991.0101
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  1. The Beach
  2. James Tate
  3. p. 30
  4. DOI: 10.1353/mis.1991.0107
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  1. Summer, Maine Coast
  2. James Tate
  3. p. 31
  4. DOI: 10.1353/mis.1991.0078
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  1. The Mouse
  2. Susan M. Gaines
  3. pp. 32-44
  4. DOI: 10.1353/mis.1991.0053
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  1. Deaf Mute
  2. Nelson I. Wu
  3. pp. 45-50
  4. DOI: 10.1353/mis.1991.0020
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  1. Between the Red Rivers: Life on the Boggy Creek 1878-1885
  2. Fannie E. Borden
  3. pp. 51-60
  4. DOI: 10.1353/mis.1991.0026
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  1. Aubade
  2. Penelope Austin
  3. p. 61
  4. DOI: 10.1353/mis.1991.0076
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  1. Moon Above the Twenties
  2. Penelope Austin
  3. pp. 62-63
  4. DOI: 10.1353/mis.1991.0081
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  1. Club HTRC Presents Bobby Benton, Jan. 24, 1942: My Mother Sells Tickets
  2. Penelope Austin
  3. pp. 64-65
  4. DOI: 10.1353/mis.1991.0086
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  1. Bringing in the Child
  2. Penelope Austin
  3. pp. 66-67
  4. DOI: 10.1353/mis.1991.0091
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  1. Azaleas, 1989
  2. Penelope Austin
  3. pp. 68-69
  4. DOI: 10.1353/mis.1991.0097
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  1. Clandestine
  2. Penelope Austin
  3. p. 70
  4. DOI: 10.1353/mis.1991.0103
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  1. An Interview with Robb Forman Dew
  2. Robb Forman Dew, Kay Bonetti
  3. pp. 71-90
  4. DOI: 10.1353/mis.1991.0039
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  1. Riders on the Earth
  2. Valerie Hurley
  3. pp. 111-117
  4. DOI: 10.1353/mis.1991.0051
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  1. Indios con Levita
  2. Ricardo Pau-Llosa
  3. pp. 118-119
  4. DOI: 10.1353/mis.1991.0083
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  1. Indios con Levita, and: Paredón, and: Mulata, and: Boleros, and: The Cloud
  2. Ricardo Pau-Llosa
  3. pp. 118-127
  4. DOI: 10.1353/mis.1991.0018
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  1. Paredón
  2. Ricardo Pau-Llosa
  3. pp. 120-121
  4. DOI: 10.1353/mis.1991.0088
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  1. Mulata
  2. Ricardo Pau-Llosa
  3. pp. 122-124
  4. DOI: 10.1353/mis.1991.0093
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  1. Boleros
  2. Ricardo Pau-Llosa
  3. p. 125
  4. DOI: 10.1353/mis.1991.0099
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  1. The Cloud
  2. Ricardo Pau-Llosa
  3. pp. 126-127
  4. DOI: 10.1353/mis.1991.0105
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  1. Baku's Theory
  2. Janet Kauffman
  3. pp. 128-133
  4. DOI: 10.1353/mis.1991.0024
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  1. At the Talent Show
  2. Phyllis Barber
  3. pp. 134-148
  4. DOI: 10.1353/mis.1991.0031
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  1. Morning
  2. Steven Schreiner
  3. p. 149
  4. DOI: 10.1353/mis.1991.0037
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  1. Gallery of Rivers
  2. Bruce Bond
  3. p. 150
  4. DOI: 10.1353/mis.1991.0043
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  1. Birds
  2. David Farrah
  3. p. 151
  4. DOI: 10.1353/mis.1991.0049
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  1. Two Poems
  2. Gary Young
  3. p. 152
  4. DOI: 10.1353/mis.1991.0016
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  1. The Swedish Embassy, Bangladesh
  2. G.S. Sharat Chandra
  3. p. 153
  4. DOI: 10.1353/mis.1991.0022
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  1. Considerably Later, Something You Read
  2. Carol Murphy
  3. p. 154
  4. DOI: 10.1353/mis.1991.0028
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  1. Precipitation
  2. Glenn Mott
  3. p. 155
  4. DOI: 10.1353/mis.1991.0034
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  1. Writing Back
  2. Janet Bowdan
  3. pp. 156-157
  4. DOI: 10.1353/mis.1991.0040
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  1. In Every Place
  2. Andrew Alt
  3. pp. 158-167
  4. DOI: 10.1353/mis.1991.0046
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  1. The Guy Downstairs Blows Sax
  2. G.W. Hawkes
  3. pp. 168-179
  4. DOI: 10.1353/mis.1991.0052
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  1. Contributors' Notes
  2. pp. I-II
  3. DOI: 10.1353/mis.1991.0019
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  1. Foreword
  2. Speer Morgan
  3. pp. 5-6
  4. DOI: 10.1353/mis.1991.0029
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  1. Hiroshima Notes
  2. Henry B. Hager
  3. pp. 91-110
  4. DOI: 10.1353/mis.1991.0045
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