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In this Issue

Table of Contents

  1. Circling My Father
  2. Sandell Morse
  3. pp. 1-10
  4. DOI: https://doi.org/10.1353/fge.2011.0015
  5. restricted access
  1. Genesis
  2. Andrew Hood
  3. pp. 11-20
  4. DOI: https://doi.org/10.1353/fge.2011.0019
  5. restricted access
  1. You Girls
  2. Patricia Foster
  3. pp. 21-32
  4. DOI: https://doi.org/10.1353/fge.2011.0000
  5. restricted access
  1. The Swimming Pool
  2. Peter Selgin
  3. pp. 33-45
  4. DOI: https://doi.org/10.1353/fge.2011.0004
  5. restricted access
  1. To Be American
  2. Xu Xi
  3. pp. 47-53
  4. DOI: https://doi.org/10.1353/fge.2011.0007
  5. restricted access
  1. Chunks of Ugly
  2. Ben Langston
  3. pp. 55-62
  4. DOI: https://doi.org/10.1353/fge.2011.0010
  5. restricted access
  1. Forgiving the Governor of South Carolina
  2. Heather Kirn
  3. pp. 63-67
  4. DOI: https://doi.org/10.1353/fge.2011.0013
  5. restricted access
  1. Ghost Story
  2. Annie Nilsson
  3. pp. 69-75
  4. DOI: https://doi.org/10.1353/fge.2011.0017
  5. restricted access
  1. If you are to be an owl
  2. T. Fleischmann
  3. pp. 77-82
  4. DOI: https://doi.org/10.1353/fge.2011.0021
  5. restricted access
  1. Preserve
  2. Joseph Gross
  3. pp. 83-89
  4. DOI: https://doi.org/10.1353/fge.2011.0002
  5. restricted access
  1. Double Name
  2. Maria (S) Turner
  3. pp. 91-97
  4. DOI: https://doi.org/10.1353/fge.2011.0006
  5. restricted access
  1. Ebb and Flow
  2. Deborah Cummins
  3. pp. 99-115
  4. DOI: https://doi.org/10.1353/fge.2011.0009
  5. restricted access
  1. Every Last Breath
  2. Joanne Jacobson
  3. pp. 117-118
  4. DOI: https://doi.org/10.1353/fge.2011.0012
  5. restricted access
  1. Solving for P
  2. Emily Hipchen
  3. pp. 119-126
  4. DOI: https://doi.org/10.1353/fge.2011.0016
  5. restricted access
  1. Finding Solutions
  2. Emily Hipchen
  3. pp. 127-132
  4. DOI: https://doi.org/10.1353/fge.2011.0020
  5. restricted access
  1. In the Syntax: Rewriting Joan Didion's "Goodbye to All That"
  2. Eula Biss
  3. pp. 133-137
  4. DOI: https://doi.org/10.1353/fge.2011.0001
  5. restricted access
  1. Empty Quarter
  2. Michael Coles
  3. pp. 139-144
  4. DOI: https://doi.org/10.1353/fge.2011.0005
  5. restricted access
  1. Aftershocks of Memoir
  2. Bob Cowser Jr., Leila Philip, Natalia Rachel Singer
  3. pp. 145-159
  4. DOI: https://doi.org/10.1353/fge.2011.0008
  5. restricted access
  1. Vanishing Point: Not a Memoir (review)
  2. Caleb Powell
  3. pp. 161-163
  4. DOI: https://doi.org/10.1353/fge.2011.0011
  5. restricted access
  1. Quotidiana (review)
  2. William Bradley
  3. pp. 165-167
  4. DOI: https://doi.org/10.1353/fge.2011.0014
  5. restricted access
  1. Perfecting Sound Forever: An Aural History of Recorded Music (review)
  2. Eileen Reynolds
  3. pp. 169-172
  4. DOI: https://doi.org/10.1353/fge.2011.0018
  5. restricted access
  1. Green Fields: Crime, Punishment, and a Boyhood Between (review)
  2. Mark T. Mustian
  3. pp. 173-175
  4. DOI: https://doi.org/10.1353/fge.2011.0022
  5. restricted access
  1. The Made-Up Self: Impersonation in the Personal Essay (review)
  2. Dinty W. Moore
  3. pp. 177-179
  4. DOI: https://doi.org/10.1353/fge.2011.0003
  5. restricted access
  1. Editor's Note
  2. Marcia Aldrich
  3. pp. ix-x
  4. DOI: https://doi.org/10.1353/fge.2011.0023
  5. restricted access
  1. About the Contributors
  3. pp. 181-185
  4. DOI: https://doi.org/10.1353/fge.2011.0024
  5. restricted access