In this Issue
Over seven decades, Theatre Journal has achieved an international reputation as one of the most significant publications of theatre and performance studies today. The journal features scholarly articles that are at the cutting edge of theatre, dance, and performance studies; focusing on historiographical, cultural, and/or theoretical analyses in both national and transnational contexts. Two special issues and two general issues are published each year; all issues include book and performance reviews. The journal also features an online section that includes interviews with artists, think pieces, and other alternative approaches to knowledge production. Theatre Journal is an official publication of the Association for Theatre in Higher Education (ATHE).
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Johns Hopkins University Pressviewing issue
Volume 62, Number 4, December 2010Table of Contents
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View Feeling the Loss of Feminism: Sarah Kane's Blasted and an Experiential Genealogy of Contemporary Women's Playwriting
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Feeling the Loss of Feminism: Sarah Kane's Blasted and an Experiential Genealogy of Contemporary Women's Playwriting
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View Women Writers of the Provincetown Players: A Collection of Short Works, and: Susan Glaspell and Sophie Treadwell (review)
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Women Writers of the Provincetown Players: A Collection of Short Works, and: Susan Glaspell and Sophie Treadwell (review)
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| ISSN | 1086-332X |
|---|---|
| Print ISSN | 0192-2882 |
| Launched on MUSE | 2011-02-09 |
| Open Access | No |
Copyright
Copyright © 2010 The Johns Hopkins University Press.
