1. That Stinking Hot Summer
  2. Judith Thompson
  3. pp. 505-510
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  1. A Dream of Making
  2. Caridad Svich
  3. pp. 511-514
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  1. Turning Points: Women Playwrights in Contemporary China
  2. Yan Haiping
  3. pp. 515-519
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  1. We Keep Living
  2. Elin Diamond
  3. pp. 521-527
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  1. Still Angry after All These Years, or Valerie Solanas under Your Skin
  2. Tiina Rosenberg
  3. pp. 529-534
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  1. Hair on a Ribbon That Got Away
  2. Catherine Filloux
  3. pp. 535-539
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  1. Black Women Playwrights in American Theatre
  2. Kathy A. Perkins, Sandra L. Richards
  3. pp. 541-545
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  1. Taking the Long View
  2. Brandi Wilkins Catanese
  3. pp. 547-551
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  1. Creative Ambivalence and Precarious Futures: Women in British Theatre
  2. Janelle Reinelt
  3. pp. 553-556
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  1. Troubling Gender on Stage and with the Critics
  2. April De Angelis
  3. pp. 557-559
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  1. Making a Spectacle, Making a Difference
  2. Jill Dolan
  3. pp. 561-565
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  1. Supremacy Ideology Masquerading as Reality: The Obstacle Facing Women Playwrights in America
  2. Sarah Schulman
  3. pp. 567-570
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  1. It's All About You: The March Toward Parity in the American Theatre
  2. Julie Crosby
  3. pp. 571-574
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  1. Feeling the Loss of Feminism: Sarah Kane's Blasted and an Experiential Genealogy of Contemporary Women's Playwriting
  2. Elaine Aston
  3. pp. 575-591
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  1. The Gendered Terrain in Contemporary Theatre of War by Women
  2. Sharon Friedman
  3. pp. 593-610
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  1. Enough! Women Playwrights Confront the Israeli-Palestinian Conflict
  2. Amelia Howe Kritzer
  3. pp. 611-626
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  1. Women Playwrights in Egypt
  2. Nehad Selaiha, Sarah Enany
  3. pp. 627-643
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  1. Making the Bones Sing: The Feminist History Play, 1976-2010
  2. Katherine E. Kelly
  3. pp. 645-660
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  1. The 2010 New York Fornés Festival (review)
  2. Patricia Ybarra
  3. pp. 661-664
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  1. Smudge (review)
  2. Dorothy Chansky
  3. pp. 664-666
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  1. The Book of Grace (review)
  2. Soyica D. Colbert
  3. pp. 666-668
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  1. In the Next Room, or the Vibrator Play (review)
  2. Heidi Schmidt
  3. pp. 669-670
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  1. In the Wake (review)
  2. Lindsey Mantoan
  3. pp. 670-673
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  1. The Penelopiad (review)
  2. Tina Lambert
  3. pp. 673-675
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  1. Sweet Tea: Black Gay Men of the South (review)
  2. Ann Folino White
  3. pp. 675-677
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  1. As You Like It, and: The Tempest (review)
  2. Dan Venning
  3. pp. 677-681
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  1. Romeo and Juliet (review)
  2. Pamela Decker
  3. pp. 681-683
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  1. A Midsummer Night's Dream (review)
  2. Coen Heijes
  3. pp. 683-684
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  1. Gin & "It." (review)
  2. Johnathon D. Boyd
  3. pp. 684-686
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  1. Footpaths and Bridges: Voices from the Native American Women Playwrights Archive (review)
  2. Ann Haugo
  3. pp. 687-688
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  1. Native American Performance and Representation (review)
  2. Theresa J. May
  3. pp. 688-689
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  1. African Women Playwrights (review)
  2. Phyllisa Smith Deroze
  3. pp. 689-690
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  1. Marina Abramović, and: The DbD Experience: Chance Knows What It's Doing! (review)
  2. Judith Hamera
  3. pp. 691-692
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  1. Pina Bausch (review)
  2. Thomas Riccio
  3. pp. 692-693
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  1. The Director's Craft: A Handbook for the Theatre (review)
  2. Melissa Lee
  3. pp. 694-695
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  1. Queer Theatre in Canada (review)
  2. Emily A. Rollie
  3. pp. 695-696
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  1. Selenidad: Selena, Latinos, and the Performance of Memory (review)
  2. Priscilla Peña Ovalle
  3. pp. 696-697
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  1. When Broadway Was the Runway: Theater, Fashion, and American Culture (review)
  2. Lisa Hall Hagen
  3. pp. 697-698
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  1. A Spectacle of Suffering: Clara Morris on the American Stage (review)
  2. Meredith Conti
  3. pp. 698-700
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  1. Women Writers of the Provincetown Players: A Collection of Short Works, and: Susan Glaspell and Sophie Treadwell (review)
  2. Maggie Rehm
  3. pp. 700-701
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  1. Babylon Girls: Black Women Performers and the Shaping of the Modern (review)
  2. Jennifer-Scott Mobley
  3. pp. 701-702
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  1. Rogue Performances: Staging the Underclasses in Early American Theatre Culture (review)
  2. Laura L. Mielke
  3. pp. 703-704
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  1. Stagestruck Filmmaker: D. W. Griffith and the American Theatre (review)
  2. Felicia Hardison Londré
  3. pp. 704-705
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  1. Molière, the French Revolution, and the Theatrical Afterlife (review)
  2. Matthew Shifflett
  3. pp. 705-706
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  1. Sound: A Reader in Theatre Practice (review)
  2. Adrian Curtin
  3. pp. 706-707
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  1. Index to Volume 62
  3. pp. 713-719
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  1. Editorial Comment: Special Issue on Contemporary Women Playwrights
  2. Penny Farfan, Lesley Ferris
  3. pp. xi-xviii
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