1. “A Common Humanity Is Not Yet Enough”: Shadows of the Coming Race in George Eliot’s Final Fiction
  2. Ortwin de Graef
  3. pp. 17-39
  4. DOI: 10.1353/pan.2011.0005
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  1. Bringing History to Fiction: Joseph Conrad and the Holocaust
  2. Jeremy Hawthorn
  3. pp. 41-63
  4. DOI: 10.1353/pan.2011.0007
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  1. Jack London’s Dialectical Philosophy between Nietzsche’s Radical Nihilism and Jules de Gaultier’s Bovarysme
  2. Per Serritslev Petersen
  3. pp. 65-77
  4. DOI: 10.1353/pan.2011.0009
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  1. Studland Beach and Jacob’s Room: Vanessa Bell’s and Virginia Woolf’s Experiments in Portrait Making 1910–1922
  2. Justyna Kostkowska
  3. pp. 79-93
  4. DOI: 10.1353/pan.2011.0011
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  1. Spectral History: The Ghost Stories of Dorothy Macardle
  2. Irina Ruppo Malone
  3. pp. 95-109
  4. DOI: 10.1353/pan.2011.0000
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  1. The Politics of the Cliché: Flannery O’Connor’s “Revelation” and “The Displaced Person”
  2. Carole K. Harris
  3. pp. 111-129
  4. DOI: 10.1353/pan.2011.0002
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  1. Alternate History: The Case of Nava Semel’s IsraIsland and Michael Chabon’s The Yiddish Policemen’s Union
  2. Adam Rovner
  3. pp. 131-152
  4. DOI: 10.1353/pan.2011.0004
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  1. A. R. Ammons’s Levity
  2. Frank J. Kearful
  3. pp. 153-175
  4. DOI: 10.1353/pan.2011.0006
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  1. Some Versions of Syllepsis
  2. Kent Puckett
  3. pp. 177-188
  4. DOI: 10.1353/pan.2011.0008
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  1. Ethics of the Event: The Apocalyptic Turn in Modernism
  2. Ruben Borg
  3. pp. 188-201
  4. DOI: 10.1353/pan.2011.0010
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  1. The Emergence of Buddhist American Literature (review)
  2. John A. McClure
  3. pp. 203-206
  4. DOI: 10.1353/pan.2011.0012
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  1. Religion, Literature and the Imagination: Sacred Worlds (review)
  2. Shira Wolosky
  3. pp. 206-209
  4. DOI: 10.1353/pan.2011.0001
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