In this Issue
Since its inception, Camera Obscura has devoted itself to providing innovative feminist perspectives on film, television, and visual media. It consistently combines excellence in scholarship with imaginative presentation and a willingness to lead media studies in new directions. The journal has developed a reputation for introducing emerging writers to the field. Its debates, essays, interviews, and summary pieces encompass a spectrum of media practices, including avant-garde, alternative, fringe, international, and mainstream.
published by
Duke University Pressviewing issue
48 (Volume 16, Number 3), 2001Table of Contents
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View An Amorous History of the Silver Screen: The Actress As Vernacular Embodiment in Early Chinese Film Culture
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An Amorous History of the Silver Screen: The Actress As Vernacular Embodiment in Early Chinese Film Culture
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| ISSN | 1529-1510 |
|---|---|
| Print ISSN | 0270-5346 |
| Launched on MUSE | 2001-01-01 |
| Open Access | No |
| Archive Status | Archived 2005 |




