1. Performance and the Political Police: The Cuban Short Circuit
  2. Orlando Luis Pardo Lazo
  3. pp. 2-3
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  1. The X-Ray as Therapy
  2. Yoani Sánchez, MJ Porter
  3. p. 3
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  1. Shame on Syracuse University Press
  2. Richard Schechner, Katherine Lieder
  3. pp. 7-12
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  1. Kazuo Ohno 1906-2010
  2. John K. Gillespie
  3. pp. 13-15
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  1. "The Artist is Present": Artistic Re-enactments and the Impossibility of Presence
  2. Amelia Jones
  3. pp. 16-45
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  1. Peculiar Voices
  2. Heiner Goebbels, Susanne Winnacker
  3. pp. 46-51
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  1. Memory Walking with Urban Bush Women's Batty Moves
  2. Ama Oforiwaa Aduonum
  3. pp. 52-69
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  1. Humanitarian Performance and the Asian Tsunami
  2. James Thompson
  3. pp. 70-83
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  1. The Big and Small Theatres of Guy Debord
  2. Jean-Marie Apostolidès, Marie Pecorari
  3. pp. 84-103
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  1. Spectacle and Vulgarity: Stripper Dance at Temple Festivals in Contemporary Taiwan
  2. Chiung-chi Chen
  3. pp. 104-119
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  1. Performing a Geography of Asian America: The Chop Suey Circuit
  2. SanSan Kwan
  3. pp. 120-136
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  1. The Stage as a Drawing Board: Zuni Icosahedron's Architecture Is Art Festival
  2. Rossella Ferrari
  3. pp. 137-149
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  1. Gray Matter: Daniel Arsham, Jonah Bokaer, and Judith Sánchez Ruíz's REPLICA
  2. Betsy England
  3. pp. 149-152
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  1. Psychophysical Acting: An Intercultural Approach after Stanislavski (review)
  2. Rachel Bowditch
  3. pp. 159-161
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  1. The Transformative Power of Performance: A New Aesthetics (review)
  2. Paul Rae
  3. pp. 161-164
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