1. From the Editor
  2. Olu Oguibe
  3. p. 11
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  1. Fanon as Film
  2. Isaac Julien, Mark Nash
  3. pp. 12-17
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  1. Odili Donald Odita
  2. Sylvie Fortin, Denise Carvalho
  3. pp. 19-23
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  1. African Film Festival
  2. Thomas Mulcaire
  3. pp. 24-27
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  1. Gordon P. Bleach: From Zimbabwe to Xanadu
  2. Olu Oguibe
  3. pp. 28-33
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  1. dialogue of the present: Contemporary Arab Women's Art
  2. Juliet Highet
  3. pp. 34-39
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  1. Trajectory of a Street Photographer
  2. Santu Mofokeng
  3. pp. 40-47
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  1. Joined-Up Politics and Post-Colonial Melancholia
  2. Paul Gilroy
  3. pp. 48-55
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  1. Lyle Ashton Harris & Chuck Close: a conversation
  2. Richard Klein
  3. pp. 56-63
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  1. Revisioning Graphics: Robert Blackburn
  2. Deborah Cullen
  3. pp. 64-69
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  1. Studio Call: Barthélémy Toguo Transitstudio
  2. Hans Ulrich Obrist
  3. pp. 70-71
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  1. Dismantling the Symbolic Structure of Afrikaner Nationalism: Gideon Mendel's 'Beloofde Land'
  2. Michael Godby
  3. pp. 72-79
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  1. Skunder in Context
  2. Solomon Deressa
  3. pp. 80-85
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  1. Cairo: Interview with Karim Francis
  2. Olu Oguibe, Karim Francis
  3. pp. 86-91
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  1. Staking Claims: Confronting Capetown
  2. Sue Williamson
  3. pp. 92-95
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  1. A Congo Chronicle: Patrice Lumumba in Urban Art
  2. Harney Elizabeth
  3. pp. 96-99
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  1. Deluge: Revolution or Disillusion
  2. Elsabet W. Giorgis
  3. pp. 100-103
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  1. Liberated Voices: Contemporary Art from South Africa
  2. Tumelo Mosaka
  3. pp. 104-107
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  1. Kara Walker: Cut it Out
  2. Hamza Walker
  3. pp. 108-113
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  1. Khalid Kodi Asrar: A Visual Dialogue with Alice Walker (review)
  2. Mary Sherman
  3. p. 114
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  1. Pascale Marthine Tayou (review)
  2. Evelyne Jouanno
  3. p. 115
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  1. Monkey's Right to Paint and the Post-Duchamp Crisis (review)
  2. Nadine S. Kibanda
  3. p. 116
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  1. Malick Sidibé (review)
  2. Matthew DeBord
  3. p. 117
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  1. Yinka Shonibare (review)
  2. Dan Cameron
  3. p. 118
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  1. William Kentridge's Stereoscope (review)
  2. Lauri Firstenberg
  3. p. 119
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  1. The Art of African Fashion (review)
  2. Lauri Firstenberg
  3. p. 120
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