1. Interrogating King Arthur: A contrapuntal prologue
  2. Caryl Clark, Brian Corman
  3. pp. 1-4
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  1. King Arthur and the Critics
  2. Brian Corman
  3. pp. 5-20
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  1. The Historical Arthur: Dryden’s Great Leap Backwards
  2. David N. Klausner
  3. pp. 21-32
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  1. “Confronting Art with Art”: The Dryden-Purcell Collaboration in King Arthur
  2. James A. Winn
  3. pp. 33-53
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  1. A Double Vision of Albion: Allegorical Re-Alignments in the Dryden-Purcell Semi-Opera King Arthur
  2. Andrew Pinnock
  3. pp. 55-81
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  1. Ideology and Racial Myth in Purcell’s King Arthur and Arne’s Alfred
  2. Ken McLeod
  3. pp. 83-102
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  1. How Many Political Arguments Can Dance on the Head of a Pin?
  2. Steven N. Zwicker
  3. pp. 103-116
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  1. Purcell’s King Arthur in the 1730s
  2. Michael Burden
  3. pp. 117-138
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  1. David Garrick’s Masque of King Arthur with Thomas Arne’s Score (1770)
  2. Todd Gilman
  3. pp. 139-162
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  1. Performing King Arthur
  2. Larry Beckwith
  3. pp. 163-166
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  1. The Long Parliament of Charles II, and: 1688: The First Modern Revolution (review)
  2. Andrew D. Nicholls
  3. pp. 167-170
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  1. Censorship and Conflict in Seventeenth-Century England: The Subtle Art of Division (review)
  2. Bill Blake
  3. pp. 170-172
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  1. Translation, Subjectivity, and Culture in France and England: 1600–1800 (review)
  2. Christopher Coski
  3. pp. 172-174
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  1. Some Current Publications
  2. Heather E. Barrett
  3. pp. 175-214
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  1. Audio Illustrations for Restoration 34.1–2: King Arthur
  2. p. 216
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