1. From the Editor
  2. Okwui Enwezor
  3. p. 7
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  1. and occasionally a floating white boy
  2. Everlyn Nicodemus
  3. pp. 8-11
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  1. Uzo Egonu: A Discourse of Reversals
  2. Olu Oguibe
  3. pp. 12-17
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  1. Apparent signatures: Vivienne Koorland Remaps Postmodernism
  2. Matthew DeBord
  3. pp. 18-23
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  1. Ouattara: Beyond Shamanism
  2. Okwui Enwezor
  3. pp. 24-29
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  1. The Modernist Experience in African Art: Visual Expressions of the Self and Cross-Cultural Aesthetics
  2. Salah Hassan
  3. pp. 30-74
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  1. P.art One "Woodstack" Project For Nka
  2. Godfried Donkor, Sara Safiullah
  3. pp. 42-43
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  1. The Inverted Sign: Rereading Frédéric Bruly Bouabré
  2. Okwui Enwezor
  3. pp. 44-49
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  1. This Exhibition Was Made Possible by... (A Note on Black Male: Representations of Masculinity in Contemporary American Art)
  2. Donald Odita
  3. pp. 50-52
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  1. When the Spirit is Dead
  2. David Hecht
  3. pp. 53-57
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  1. Amir Nour and Mohammad Omer Khalil: The National Museum of African Art, Washington, DC November 16-February 26, 1995
  2. Robert Condon
  3. pp. 58-61
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  1. Emmanuel Jegede: Joy of the Living Race October Gallery, London November 17-Decmeber 17, 1994
  2. Olu Oguibe
  3. pp. 62-63
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  1. Norman Lewis: The Second Transition 1947-1951 A.F.T.U./Bill Hodges Gallery New York October 20, 1994-January 25, 1995
  2. Carl E. Hazlewood
  3. pp. 64-66
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  1. Works in Black and White (review)
  2. Matthew DeBord
  3. pp. 67-68
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  1. Grids & Circles (review)
  2. Geoffrey Jacques
  3. pp. 68-69
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  1. A Salute to the Withered Rose (review)
  2. C. Krydz Ikwuemesi
  3. pp. 69-70
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  1. Critical Interventions:Beyond Abjection (review)
  2. Okwui Enwezor
  3. pp. 70-71
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  1. Updates
  2. p. 72
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