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Table of Contents

  1. Theatricality: From Oral Traditions to Televised "Realities"
  2. Joachim Fiebach
  3. pp. 17-41
  4. DOI: https://doi.org/10.1353/sub.2002.0027
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  1. Theatricality as Estrangement of Art and Life In the Russian Avant-garde
  2. Silvija Jestrovic
  3. pp. 42-56
  4. DOI: https://doi.org/10.1353/sub.2002.0031
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  1. The Invention of "Theatricality": Rereading Bernard Dort and Roland Barthes
  2. Jean Pierre Sarrazac, Virginie Magnat
  3. pp. 57-72
  4. DOI: https://doi.org/10.1353/sub.2002.0041
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  1. The Structure of Theater: A Japanese View of Theatricality
  2. Mitsuya Mori
  3. pp. 73-93
  4. DOI: https://doi.org/10.1353/sub.2002.0033
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  1. Theatricality: The Specificity of Theatrical Language
  2. Josette Feral, Ronald P. Bermingham
  3. pp. 94-108
  4. DOI: https://doi.org/10.1353/sub.2002.0026
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  1. Acting: The Quintessence of Theatricality
  2. Eli Rozik
  3. pp. 110-124
  4. DOI: https://doi.org/10.1353/sub.2002.0039
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  1. Walking and Other Choreographic Tactics: Danced Inventions of Theatricality and Performativity
  2. Susan Leigh Foster
  3. pp. 125-146
  4. DOI: https://doi.org/10.1353/sub.2002.0028
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  1. Theatricality from the Performative Perspective
  2. Virginie Magnat
  3. pp. 147-166
  4. DOI: https://doi.org/10.1353/sub.2002.0032
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  1. Witnessing Woyzeck: Theatricality and the Empowerment of the Spectator
  2. Freddie Rokem
  3. pp. 167-183
  4. DOI: https://doi.org/10.1353/sub.2002.0038
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  1. The Emperor's New Clothes: The Naked Body and Theories of Performance
  2. Sue-Ellen Case
  3. pp. 186-200
  4. DOI: https://doi.org/10.1353/sub.2002.0023
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  1. The Politics of Discourse: Performativity meets Theatricality
  2. Janelle G. Reinelt
  3. pp. 201-215
  4. DOI: https://doi.org/10.1353/sub.2002.0037
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  1. Could the World become a Stage? Theatricality and Metaphorical Structures
  2. Ragnhild Tronstad
  3. pp. 216-224
  4. DOI: https://doi.org/10.1353/sub.2002.0043
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  1. Theatricality and Cognitive Science: The Audience's Perception and Reception
  2. Małgorzata Sugiera
  3. pp. 225-235
  4. DOI: https://doi.org/10.1353/sub.2002.0042
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  1. The Resistance to Theatricality
  2. Marvin A. Carlson
  3. pp. 238-250
  4. DOI: https://doi.org/10.1353/sub.2002.0022
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  1. The Fall of Theatricality in the Age of Modernity
  2. Anne-Britt Gran, Diane Oatley
  3. pp. 251-264
  4. DOI: https://doi.org/10.1353/sub.2002.0029
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  1. Digital Baroque: Via Viola or the Passage of Theatricality
  2. Timothy Murray
  3. pp. 265-279
  4. DOI: https://doi.org/10.1353/sub.2002.0035
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  1. Theatricality and Performativity: A General Bibliography
  2. pp. 280-287
  3. DOI: https://doi.org/10.1353/sub.2002.0020
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  1. Esope au feminin: Marie de France et la politique de l'interculturalite (review)
  2. Matilda Tomaryn Bruckner
  3. pp. 288-292
  4. DOI: https://doi.org/10.1353/sub.2002.0021
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  1. Gender, Rhetoric and Print Culture in French Renaissance Writing (review)
  2. Devan Baty
  3. pp. 292-296
  4. DOI: https://doi.org/10.1353/sub.2002.0019
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  1. Caliban's Reason: Introducing Afro-Caribbean Philosophy (review)
  2. H. Adlai Murdoch
  3. pp. 296-301
  4. DOI: https://doi.org/10.1353/sub.2002.0034
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  1. Writing History, Writing Trauma (review)
  2. Debarati Sanyal
  3. pp. 301-306
  4. DOI: https://doi.org/10.1353/sub.2002.0040
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  1. The Romance of Adultery: Queenship and Sexual Transgression in Old French Literature (review)
  2. Noah D. Guynn
  3. pp. 306-310
  4. DOI: https://doi.org/10.1353/sub.2002.0030
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  1. La Vengeance dans la litterature d'Ancien Regime (review)
  2. Roland Racevskis
  3. pp. 311-315
  4. DOI: https://doi.org/10.1353/sub.2002.0036
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  1. Foreword
  2. Josette Feral
  3. pp. 3-13
  4. DOI: https://doi.org/10.1353/sub.2002.0025
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  1. Contributors
  2. pp. 316-318
  3. DOI: https://doi.org/10.1353/sub.2002.0024
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