In this Issue

Table of Contents

Theatricality: From Oral Traditions to Televised "Realities"

Joachim Fiebach
pp. 17-41
DOI: https://doi.org/10.1353/sub.2002.0027
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Theatricality as Estrangement of Art and Life In the Russian Avant-garde

Silvija Jestrovic
pp. 42-56
DOI: https://doi.org/10.1353/sub.2002.0031
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The Invention of "Theatricality": Rereading Bernard Dort and Roland Barthes

Jean Pierre Sarrazac, Virginie Magnat
pp. 57-72
DOI: https://doi.org/10.1353/sub.2002.0041
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The Structure of Theater: A Japanese View of Theatricality

Mitsuya Mori
pp. 73-93
DOI: https://doi.org/10.1353/sub.2002.0033
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Theatricality: The Specificity of Theatrical Language

Josette Feral, Ronald P. Bermingham
pp. 94-108
DOI: https://doi.org/10.1353/sub.2002.0026
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Acting: The Quintessence of Theatricality

Eli Rozik
pp. 110-124
DOI: https://doi.org/10.1353/sub.2002.0039
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Walking and Other Choreographic Tactics: Danced Inventions of Theatricality and Performativity

Susan Leigh Foster
pp. 125-146
DOI: https://doi.org/10.1353/sub.2002.0028
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Theatricality from the Performative Perspective

Virginie Magnat
pp. 147-166
DOI: https://doi.org/10.1353/sub.2002.0032
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Witnessing Woyzeck: Theatricality and the Empowerment of the Spectator

Freddie Rokem
pp. 167-183
DOI: https://doi.org/10.1353/sub.2002.0038
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The Emperor's New Clothes: The Naked Body and Theories of Performance

Sue-Ellen Case
pp. 186-200
DOI: https://doi.org/10.1353/sub.2002.0023
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The Politics of Discourse: Performativity meets Theatricality

Janelle G. Reinelt
pp. 201-215
DOI: https://doi.org/10.1353/sub.2002.0037
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Could the World become a Stage? Theatricality and Metaphorical Structures

Ragnhild Tronstad
pp. 216-224
DOI: https://doi.org/10.1353/sub.2002.0043
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Theatricality and Cognitive Science: The Audience's Perception and Reception

Małgorzata Sugiera
pp. 225-235
DOI: https://doi.org/10.1353/sub.2002.0042
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The Resistance to Theatricality

Marvin A. Carlson
pp. 238-250
DOI: https://doi.org/10.1353/sub.2002.0022
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The Fall of Theatricality in the Age of Modernity

Anne-Britt Gran, Diane Oatley
pp. 251-264
DOI: https://doi.org/10.1353/sub.2002.0029
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Digital Baroque: Via Viola or the Passage of Theatricality

Timothy Murray
pp. 265-279
DOI: https://doi.org/10.1353/sub.2002.0035
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Theatricality and Performativity: A General Bibliography

pp. 280-287
DOI: https://doi.org/10.1353/sub.2002.0020
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Esope au feminin: Marie de France et la politique de l'interculturalite (review)

Matilda Tomaryn Bruckner
pp. 288-292
DOI: https://doi.org/10.1353/sub.2002.0021
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Gender, Rhetoric and Print Culture in French Renaissance Writing (review)

Devan Baty
pp. 292-296
DOI: https://doi.org/10.1353/sub.2002.0019
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Caliban's Reason: Introducing Afro-Caribbean Philosophy (review)

H. Adlai Murdoch
pp. 296-301
DOI: https://doi.org/10.1353/sub.2002.0034
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Writing History, Writing Trauma (review)

Debarati Sanyal
pp. 301-306
DOI: https://doi.org/10.1353/sub.2002.0040
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The Romance of Adultery: Queenship and Sexual Transgression in Old French Literature (review)

Noah D. Guynn
pp. 306-310
DOI: https://doi.org/10.1353/sub.2002.0030
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La Vengeance dans la litterature d'Ancien Regime (review)

Roland Racevskis
pp. 311-315
DOI: https://doi.org/10.1353/sub.2002.0036
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Foreword

Josette Feral
pp. 3-13
DOI: https://doi.org/10.1353/sub.2002.0025
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Contributors

pp. 316-318
DOI: https://doi.org/10.1353/sub.2002.0024
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