1. The State of the Art: Novelists Thinking the Novel
  2. Isabelle Daunais, Allan Hepburn
  3. pp. 1005-1012
  4. DOI: 10.1353/utq.2010.0252
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  1. Les romanciers québécois et la « définition idéale » du roman autour de 1960. Le cas de Robert Charbonneau
  2. Mathieu Bélisle
  3. pp. 1013-1022
  4. DOI: 10.1353/utq.2010.0255
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  1. The Bluestockings and the Genealogy of the Modern Novel
  2. Betty A. Schellenberg
  3. pp. 1023-1034
  4. DOI: 10.1353/utq.2010.0258
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  1. Sodomy, Geography, and Misdirection in Memoirs of a Woman of Pleasure
  2. Danielle Bobker
  3. pp. 1035-1045
  4. DOI: 10.1353/utq.2010.0260
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  1. Le carnet comme critique du roman chez André Major
  2. François Dumont
  3. pp. 1046-1053
  4. DOI: 10.1353/utq.2010.0247
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  1. French Translations: Elizabeth Bowen and the Idea of Character
  2. Allan Hepburn
  3. pp. 1054-1063
  4. DOI: 10.1353/utq.2010.0249
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  1. Le « domaine capital et international du roman » : le tournant des années 1920
  2. Isabelle Daunais
  3. pp. 1064-1072
  4. DOI: 10.1353/utq.2010.0251
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  1. Willa Cather and the Pentecostal Novel
  2. Maria Dibattista
  3. pp. 1073-1085
  4. DOI: 10.1353/utq.2010.0254
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  1. Sur un rêve d'André Gide
  2. Christophe Pradeau
  3. pp. 1086-1095
  4. DOI: 10.1353/utq.2010.0257
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  1. Decorating Fiction: Edith Wharton's Literary Architecture
  2. Liisa Stephenson
  3. pp. 1096-1104
  4. DOI: 10.1353/utq.2010.0259
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  1. L'envers de l'histoire contemporaine and James's Historic Page
  2. Nicola Nixon
  3. pp. 1105-1114
  4. DOI: 10.1353/utq.2010.0246
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  1. Ventriloquized Opinions of Pride and Prejudice, Mansfield Park, and Emma: Jane Austen's Critical Voice
  2. Katie Gemmill
  3. pp. 1115-1122
  4. DOI: 10.1353/utq.2010.0248
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  1. La poétique du roman chez Philippe Aubert de Gaspé, père
  2. Réjean Beaudoin
  3. pp. 1123-1130
  4. DOI: 10.1353/utq.2010.0250
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  1. Le conflit des fictions chez Suzanne Jacob
  2. Michel Biron
  3. pp. 1131-1139
  4. DOI: 10.1353/utq.2010.0253
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  1. Contributors
  2. DOI: 10.1353/utq.2010.0256
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