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In this Issue

Table of Contents

  1. From the Editor: Gentle Numbers
  2. Katherine Rowe
  3. pp. iii-viii
  4. DOI: https://doi.org/10.1353/shq.2010.0005
  5. restricted access
  1. Networks of Deep Impression: Shakespeare and the History of Information
  2. Alan Galey
  3. pp. 289-312
  4. DOI: https://doi.org/10.1353/shq.2010.0007
  5. restricted access
  1. From "Access" to "Creativity": Shakespeare Institutions, New Media, and the Language of Cultural Value
  2. Kate Rumbold
  3. pp. 313-336
  4. DOI: https://doi.org/10.1353/shq.2010.0009
  5. restricted access
  1. Unmooring the Moor: Researching and Teaching on YouTube
  2. Ayanna Thompson
  3. pp. 337-356
  4. DOI: https://doi.org/10.1353/shq.2010.0001
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  1. The Hundredth Psalm to the Tune of "Green Sleeves": Digital Approaches to Shakespeare's Language of Genre
  2. Jonathan Hope, Michael Witmore
  3. pp. 357-390
  4. DOI: https://doi.org/10.1353/shq.2010.0002
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Reviews

  1. Disciplining Digital Humanities, 2010: Shakespeare's Staging, XMAS, Shakespeare Performance in Asia, Shakespeare Quartos Archive, and BardBox
  2. Whitney Anne Trettien
  3. pp. 391-400
  4. DOI: https://doi.org/10.1353/shq.2010.0003
  5. restricted access
  1. Shakespeare Goes Digital: Three Open Internet Editions
  2. Andrew Murphy
  3. pp. 401-414
  4. DOI: https://doi.org/10.1353/shq.2010.0004
  5. restricted access

Shakespeare Performed

  1. The Roman Tragedies
  2. Christian M. Billing
  3. pp. 415-439
  4. DOI: https://doi.org/10.1353/shq.2010.0006
  5. restricted access

Contributors

  1. Contributors
  3. pp. 440-441
  4. DOI: https://doi.org/10.1353/shq.2010.0008
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Announcement

  1. Director: Folger Shakespeare Library, Washington, DC
  3. p. 442
  4. DOI: https://doi.org/10.1353/shq.2010.0000
  5. restricted access