In this Issue

Table of Contents

Networks of Deep Impression: Shakespeare and the History of Information

Alan Galey
pp. 289-312
DOI: https://doi.org/10.1353/shq.2010.0007
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From "Access" to "Creativity": Shakespeare Institutions, New Media, and the Language of Cultural Value

Kate Rumbold
pp. 313-336
DOI: https://doi.org/10.1353/shq.2010.0009
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Unmooring the Moor: Researching and Teaching on YouTube

Ayanna Thompson
pp. 337-356
DOI: https://doi.org/10.1353/shq.2010.0001
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The Hundredth Psalm to the Tune of "Green Sleeves": Digital Approaches to Shakespeare's Language of Genre

Jonathan Hope, Michael Witmore
pp. 357-390
DOI: https://doi.org/10.1353/shq.2010.0002
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Disciplining Digital Humanities, 2010: Shakespeare's Staging, XMAS, Shakespeare Performance in Asia, Shakespeare Quartos Archive, and BardBox

Whitney Anne Trettien
pp. 391-400
DOI: https://doi.org/10.1353/shq.2010.0003
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Shakespeare Goes Digital: Three Open Internet Editions

Andrew Murphy
pp. 401-414
DOI: https://doi.org/10.1353/shq.2010.0004
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The Roman Tragedies

Christian M. Billing
pp. 415-439
DOI: https://doi.org/10.1353/shq.2010.0006
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Director: Folger Shakespeare Library, Washington, DC

p. 442
DOI: https://doi.org/10.1353/shq.2010.0000
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From the Editor: Gentle Numbers

Katherine Rowe
pp. iii-viii
DOI: https://doi.org/10.1353/shq.2010.0005
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Contributors

pp. 440-441
DOI: https://doi.org/10.1353/shq.2010.0008
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