In this Issue

Table of Contents

Planetarity: Musing Modernist Studies

Susan Stanford Friedman
pp. 471-499
DOI: https://doi.org/10.1353/mod.2010.0003
restricted access

A Weird Modernist Archive: Pulp Fiction, Pseudobiblia, H. P. Lovecraft

Leif Sorensen
pp. 501-522
DOI: https://doi.org/10.1353/mod.2010.0007
restricted access

The Public Woman and the Modernist Turn: Virginia Woolf's The Voyage Out and Elizabeth Robins's My Little Sister

Molly Hite
pp. 523-548
DOI: https://doi.org/10.1353/mod.2010.0011
restricted access

Forster and Liberace; or, The Invert's Tale

Wendy Moffat
pp. 551-559
DOI: https://doi.org/10.1353/mod.2010.0014
restricted access

Modernist Re-Orientations: Imagining Homoerotic Desire in the "Nearly" Middle East

Joseph A. Boone
pp. 561-605
DOI: https://doi.org/10.1353/mod.2010.0017
restricted access

'Let's Be Alone Together': Bryher's and Marianne Moore's Aesthetic-Erotic Collaboration

Susan McCabe
pp. 607-637
DOI: https://doi.org/10.1353/mod.2010.0020
restricted access

The Comedy of Nature: Darwinian Feminism in Virginia Woolf's Between the Acts

Sam See
pp. 639-667
DOI: https://doi.org/10.1353/mod.2010.0001
restricted access

Out of the Shadows: The Newly Collected Elizabeth Bowen

Phyllis Lassner
pp. 669-676
DOI: https://doi.org/10.1353/mod.2010.0005
restricted access

"An Easy Commerce of the Old and New"?: Recent Eliot Scholarship

Ronald Bush
pp. 677-681
DOI: https://doi.org/10.1353/mod.2010.0009
restricted access

New York Nocturne: The City After Dark in Literature, Painting, and Photography, 1850-1950 (review)

Joshua Shannon
pp. 683-685
DOI: https://doi.org/10.1353/mod.2010.0013
restricted access

The Disappearance of Objects: New York Art and the Rise of the Postmodern City (review)

William Chapman Sharpe
pp. 685-686
DOI: https://doi.org/10.1353/mod.2010.0016
restricted access

The Paris Letters of Thomas Eakins (review)

Elizabeth Milroy
pp. 687-690
DOI: https://doi.org/10.1353/mod.2010.0019
restricted access

Queer Optimism: Lyric Personhood and Other Felicitous Persuasions (review)

Jesse Matz
pp. 690-692
DOI: https://doi.org/10.1353/mod.2010.0000
restricted access

Inventing Futurism: The Art and Politics of Artificial Optimism (review)

Walter L. Adamson
pp. 692-694
DOI: https://doi.org/10.1353/mod.2010.0004
restricted access

The Chinese Written Character as a Medium of for Poetry: A Critical Edition (review)

Peter Nicholls
pp. 694-696
DOI: https://doi.org/10.1353/mod.2010.0008
restricted access

The Posthuman Dada Guide: Tzara & Lenin Play Chess (review)

Cosana Eram
pp. 696-698
DOI: https://doi.org/10.1353/mod.2010.0012
restricted access

The Posthuman Dada Guide: Tzara & Lenin Play Chess (review)

Jacob Korg
pp. 698-700
DOI: https://doi.org/10.1353/mod.2010.0015
restricted access

Grand Illusion: The Third Reich, the Paris Exposition, and the Cultural Seduction of France (review)

Romy Golan
pp. 700-702
DOI: https://doi.org/10.1353/mod.2010.0018
restricted access

Since 1950: art and its criticism (review)

Jo Applin
pp. 702-704
DOI: https://doi.org/10.1353/mod.2010.0021
restricted access

Samuel Beckett and The Problem of Irishness (review)

James McNaughton
pp. 704-706
DOI: https://doi.org/10.1353/mod.2010.0002
restricted access

The International Reception of Samuel Beckett (review)

Peter Fifield
pp. 706-707
DOI: https://doi.org/10.1353/mod.2010.0006
restricted access

Recent Books of Interest

pp. 709-711
DOI: https://doi.org/10.1353/mod.2010.0010
restricted access