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In this Issue

Table of Contents

  1. The Gray Zone: A Restorationist's Travel Guide
  2. Ross Lipman
  3. pp. 1-29
  4. DOI: https://doi.org/10.1353/mov.2010.0010
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  1. Midsummer Dream, Midwinter Nightmare: Max Reinhardt and Shakespeare versus the Warner Bros.
  2. Scott MacQueen
  3. pp. 30-103
  4. DOI: https://doi.org/10.1353/mov.2010.0012
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  1. "Europe Ain't Gonna See This Scene!": Working with Variant Versions in Photoplay Productions' Restoration of The Cat and the Canary
  2. Christopher Bird
  3. pp. 149-163
  4. DOI: https://doi.org/10.1353/mov.2010.0003
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  1. Points of Origin: Discovering Ourselves through Access
  2. Rick Prelinger
  3. pp. 164-175
  4. DOI: https://doi.org/10.1353/mov.2010.0005
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  1. Fight Pictures (review)
  2. Leonard Maltin
  3. pp. 176-178
  4. DOI: https://doi.org/10.1353/mov.2010.0002
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  1. Stereoscopic Cinema and the Origins of 3-D Film: 1838–1952 (review)
  2. Michael S. Duffy
  3. pp. 178-181
  4. DOI: https://doi.org/10.1353/mov.2010.0007
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  1. Canyon Cinema: The Life and Times of an Independent Film Distributor (review)
  2. Lindy Leong
  3. pp. 181-184
  4. DOI: https://doi.org/10.1353/mov.2010.0000
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  1. Inventing Film Studies (review)
  2. Eric Hoyt
  3. pp. 184-187
  4. DOI: https://doi.org/10.1353/mov.2010.0009
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  1. Treasures from American Film Archives IV: Avant-Garde Film, 1947–1986 (review)
  2. Richard Suchenski
  3. pp. 187-191
  4. DOI: https://doi.org/10.1353/mov.2010.0004
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  1. Péter Forgács at the National Gallery of Art, Washington D.C. (review)
  2. Martin L. Johnson
  3. pp. 191-192
  4. DOI: https://doi.org/10.1353/mov.2010.0011
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  1. Guest Editor's Introduction
  2. David Pierce
  3. pp. vi-x
  4. DOI: https://doi.org/10.1353/mov.2010.0008
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  1. Copyright, Preservation, and Archives: An Interview with Eric Schwartz
  2. David Pierce
  3. pp. 105-148
  4. DOI: https://doi.org/10.1353/mov.2010.0001
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  1. Contributors
  3. pp. 193-195
  4. DOI: https://doi.org/10.1353/mov.2010.0006
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