1. Re-Envisioning Solidarity: History, Agency, and the Politics of Performance
  2. Halina Filipowicz
  3. pp. 333-347
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  1. The Art of Playing Patriot: The Polish Stardom of Helena Modjeska
  2. Beth Holmgren
  3. pp. 349-371
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  1. Politics and Pornography: Czech Performance in the International Arena
  2. Alan W. Sikes
  3. pp. 373-387
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  1. Contemporary Russian Drama: The Journey from Stagnation to a Golden Age
  2. John Freedman
  3. pp. 389-420
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  1. The Natasha Plays
  2. Yaroslava Pulinovich, John Freedman
  3. pp. 421-442
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  1. I Am the Machine Gunner
  2. Yury Klavdiev, John Freedman
  3. pp. 443-450
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  1. Quartett (review)
  2. John Lutterbie
  3. pp. 451-453
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  1. Foreplay (review)
  2. Loren Kruger
  3. pp. 453-454
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  1. The Pee-Wee Herman Show (review)
  2. Jonathan Chambers
  3. pp. 454-457
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  1. The Lily's Revenge (review)
  2. Jason Fitzgerald
  3. pp. 457-458
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  1. Bloody Bloody Andrew Jackson (review)
  2. Claudia Wilsch Case
  3. pp. 459-460
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  1. Ragtime (review)
  2. Mary Jo Lodge
  3. pp. 460-462
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  1. The Walworth Farce (review)
  2. Charlotte McIvor
  3. pp. 462-464
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  1. Sweet Charity (review)
  2. Laura MacDonald
  3. pp. 464-467
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  1. Endgame (review)
  2. Ann M. Shanahan
  3. pp. 467-469
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  1. A Streetcar Named Desire (review)
  2. Rebecca Gavrila
  3. pp. 469-470
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  1. Ordinary Days (review)
  2. Ryan McKinney
  3. pp. 470-472
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  1. Compulsion (review)
  2. Miriam Chirico
  3. pp. 472-474
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  1. Historical Dictionary of Russian Theater (review)
  2. Valleri J. Hohman
  3. pp. 475-476
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  1. Theatre & Identity in Imperial Russia (review)
  2. James M. Brandon
  3. pp. 476-477
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  1. The Moscow Yiddish Theater: Art on Stage in the Time of Revolution (review)
  2. Dassia N. Posner
  3. pp. 477-478
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  1. Performing Violence: Literary and Theatrical Experiments of New Russian Drama (review)
  2. Vitaly Chernetsky
  3. pp. 478-480
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  1. The New Theatre of the Baltics: from Soviet to Western Influence in Estonia, Latvia and Lithuania (review)
  2. Marcy Arlin
  3. pp. 480-481
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  1. Ukrainian Drama and Theater in the Seventeenth and Eighteenth Centuries (review)
  2. Seth Baumrin
  3. pp. 481-482
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  1. Grotowski's Empty Room (review)
  2. Dominika Laster
  3. pp. 482-483
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  1. Theatre is More Beautiful than War: German Stage Directing in the Late Twentieth Century (review)
  2. Kelly J. G. Bremner
  3. pp. 483-484
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  1. Kabuki's Forgotten War: 1931-1945 (review)
  2. David Jortner
  3. pp. 485-486
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  1. Nō Theatre Transversal (review)
  2. Carol Fisher Sorgenfrei
  3. pp. 486-487
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  1. Violence Performed: Local Roots and Global Routes of Conflict (review)
  2. Raimondo Genna
  3. pp. 487-488
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  1. Portrayals of Americans on the World Stage: Critical Essays (review)
  2. Ken Nielsen
  3. pp. 488-489
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  1. Practice-as-Research in Performance and Screen, and: Mapping Landscapes for Performance as Research: Scholarly Acts and Creative Cartographies (review)
  2. Ben Spatz
  3. pp. 490-491
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  1. Playing with Words: The Spoken Word in Artistic Practice (review)
  2. T. L. Cowan
  3. pp. 492-493
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  1. Shakespeare and the Problem of Adaptation (review)
  2. Ashley Duncan
  3. pp. 493-494
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  1. The Spectator and the Spectacle: Audiences in Modernity and Postmodernity (review)
  2. Dan Venning
  3. pp. 494-495
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  1. Performing Childhood in the Early Modern Theatre: The Children's Playing Companies (1599-1613) (review)
  2. Matt Omasta
  3. pp. 495-497
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  1. Books Received
  3. pp. 497-501
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