1. "Are we turned Turks?": English Pageants and the Stuart Court
  2. David M. Bergeron
  3. pp. 255-275
  4. DOI: 10.1353/cdr.2010.0001
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  1. Celebrating Idleness: Antony and Cleopatra and Play Theory
  2. Abigail Scherer
  3. pp. 277-297
  4. DOI: 10.1353/cdr.2010.0003
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  1. Katherine Philips as Political Playwright: "The Songs Between the Acts" in Pompey
  2. Anne Russell
  3. pp. 299-323
  4. DOI: 10.1353/cdr.2010.0005
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  1. Music and Religious Compromise in John Bale's Plays
  2. Katherine Steele Brokaw
  3. pp. 325-349
  4. DOI: 10.1353/cdr.2010.0007
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  1. Lincolnshire (review)
  2. Victor I. Scherb
  3. pp. 351-353
  4. DOI: 10.1353/cdr.2010.0009
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  1. The English Clown Tradition from the Middle Ages to Shakespeare (review)
  2. Peter Cockett
  3. pp. 354-355
  4. DOI: 10.1353/cdr.2010.0010
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  1. Mummings and Entertainments (review)
  2. Roger A. Ladd
  3. pp. 355-359
  4. DOI: 10.1353/cdr.2010.0000
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  1. Storytelling and Drama: Exploring Narrative Episodes in Plays (review)
  2. Mustafa Kemal Mirzeler
  3. pp. 359-361
  4. DOI: 10.1353/cdr.2010.0002
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  1. Renaissance Earwitnesses: Rumor and Early Modern Masculinity (review)
  2. Jennifer C. Vaught
  3. pp. 361-364
  4. DOI: 10.1353/cdr.2010.0004
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  1. Brief Notices
  2. pp. 365-367
  3. DOI: 10.1353/cdr.2010.0006
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  1. Contributors
  2. p. 369
  3. DOI: 10.1353/cdr.2010.0008
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