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Table of Contents

  1. Editorial
  2. Mark C. Aldrich
  3. pp. 5-6
  4. DOI: https://doi.org/10.1353/sir.2010.0029
  5. restricted access
  1. Editorial
  2. Mark C. Aldrich
  3. pp. 7-8
  4. DOI: https://doi.org/10.1353/sir.2010.0082
  5. restricted access
  1. Notas para la poética de Manuel Alcántara
  2. Juvenal Soto
  3. pp. 10-12
  4. DOI: https://doi.org/10.1353/sir.2010.0037
  5. restricted access
  1. Notes On Manuel Alcántara's Poetic Art
  2. Juvenal Soto, Mark C. Aldrich
  3. pp. 11-13
  4. DOI: https://doi.org/10.1353/sir.2010.0094
  5. restricted access
  1. Images
  3. pp. 14-158
  4. DOI: https://doi.org/10.1353/sir.2010.0014
  5. restricted access
  1. Celebración
  2. Manuel Alcántara
  3. p. 16
  4. DOI: https://doi.org/10.1353/sir.2010.0045
  5. restricted access
  1. Celebration
  2. Manuel Alcántara
  3. p. 17
  4. DOI: https://doi.org/10.1353/sir.2010.0067
  5. restricted access
  1. Espejo
  2. Manuel Alcántara
  3. p. 18
  4. DOI: https://doi.org/10.1353/sir.2010.0003
  5. restricted access
  1. Mirror
  2. Manuel Alcántara, Mark C. Aldrich
  3. p. 19
  4. DOI: https://doi.org/10.1353/sir.2010.0051
  5. restricted access
  1. Empieza la noche
  2. Manuel Alcántara
  3. pp. 20-22
  4. DOI: https://doi.org/10.1353/sir.2010.0011
  5. restricted access
  1. The Night Begins
  2. Manuel Alcántara, Mark C. Aldrich
  3. pp. 21-23
  4. DOI: https://doi.org/10.1353/sir.2010.0050
  5. restricted access
  1. Sobre la mesa
  2. Manuel Alcántara
  3. p. 24
  4. DOI: https://doi.org/10.1353/sir.2010.0019
  5. restricted access
  1. At Table
  2. Manuel Alcántara, Mark C. Aldrich
  3. p. 25
  4. DOI: https://doi.org/10.1353/sir.2010.0052
  5. restricted access
  1. Bulevar
  2. Manuel Alcántara
  3. pp. 26-30
  4. DOI: https://doi.org/10.1353/sir.2010.0026
  5. restricted access
  1. Boulevard
  2. Manuel Alcántara, Mark C. Aldrich
  3. pp. 27-31
  4. DOI: https://doi.org/10.1353/sir.2010.0079
  5. restricted access
  1. [Este jueves depende de tu boca]
  2. Manuel Alcántara
  3. p. 32
  4. DOI: https://doi.org/10.1353/sir.2010.0034
  5. restricted access
  1. [This Thursday depends on your mouth]
  2. Manuel Alcántara, Mark C. Aldrich
  3. p. 33
  4. DOI: https://doi.org/10.1353/sir.2010.0057
  5. restricted access
  1. [En busca de una persona]
  2. Manuel Alcántara
  3. p. 34
  4. DOI: https://doi.org/10.1353/sir.2010.0042
  5. restricted access
  1. Telegrama a Bécquer
  2. Manuel Alcántara
  3. p. 35
  4. DOI: https://doi.org/10.1353/sir.2010.0000
  5. restricted access
  1. Telegram to Bécquer
  2. Manuel Alcántara, Mark C. Aldrich
  3. p. 35
  4. DOI: https://doi.org/10.1353/sir.2010.0058
  5. restricted access
  1. [El mar no puede morir]
  2. Manuel Alcántara
  3. p. 36
  4. DOI: https://doi.org/10.1353/sir.2010.0008
  5. restricted access
  1. [The sea cannot die]
  2. Manuel Alcántara, Mark C. Aldrich
  3. p. 36
  4. DOI: https://doi.org/10.1353/sir.2010.0090
  5. restricted access
  1. [No digo que sí o que no]
  2. Manuel Alcántara
  3. p. 37
  4. DOI: https://doi.org/10.1353/sir.2010.0016
  5. restricted access
  1. [I don't say yes and I don't say no]
  2. Manuel Alcántara, Mark C. Aldrich
  3. p. 37
  4. DOI: https://doi.org/10.1353/sir.2010.0063
  5. restricted access
  1. Niño del 40
  2. Manuel Alcántara
  3. p. 38
  4. DOI: https://doi.org/10.1353/sir.2010.0023
  5. restricted access
  1. Child of 1940
  2. Manuel Alcántara, Mark C. Aldrich
  3. p. 39
  4. DOI: https://doi.org/10.1353/sir.2010.0075
  5. restricted access
  1. Translator's Note on the Sonnets
  2. Mark C. Aldrich
  3. pp. 40-42
  4. DOI: https://doi.org/10.1353/sir.2010.0031
  5. restricted access
  1. Nota del traductor sobre los sonetos
  2. Mark C. Aldrich
  3. pp. 41-43
  4. DOI: https://doi.org/10.1353/sir.2010.0092
  5. restricted access
  1. Soneto para empezar un amor
  2. Manuel Alcántara
  3. p. 44
  4. DOI: https://doi.org/10.1353/sir.2010.0039
  5. restricted access
  1. Sonnet at the Beginning of Love
  2. Manuel Alcántara, Mark C. Aldrich
  3. p. 44
  4. DOI: https://doi.org/10.1353/sir.2010.0055
  5. restricted access
  1. Vivir
  2. Manuel Alcántara
  3. p. 45
  4. DOI: https://doi.org/10.1353/sir.2010.0047
  5. restricted access
  1. To Live
  2. Manuel Alcántara, Mark C. Aldrich
  3. p. 45
  4. DOI: https://doi.org/10.1353/sir.2010.0077
  5. restricted access
  1. El vino de los muertos
  2. Manuel Alcántara
  3. p. 46
  4. DOI: https://doi.org/10.1353/sir.2010.0005
  5. restricted access
  1. The Wine of the Dead
  2. Manuel Alcántara, Mark C. Aldrich
  3. p. 47
  4. DOI: https://doi.org/10.1353/sir.2010.0088
  5. restricted access
  1. Me busco por el tiempo
  2. Manuel Alcántara
  3. p. 48
  4. DOI: https://doi.org/10.1353/sir.2010.0013
  5. restricted access
  1. I Search for Myself in Time
  2. Manuel Alcántara, Mark C. Aldrich
  3. p. 48
  4. DOI: https://doi.org/10.1353/sir.2010.0064
  5. restricted access
  1. Aclimato mi aliento
  2. Manuel Alcántara
  3. p. 49
  4. DOI: https://doi.org/10.1353/sir.2010.0021
  5. restricted access
  1. I Adapt My Breath
  2. Manuel Alcántara, Mark C. Aldrich
  3. p. 49
  4. DOI: https://doi.org/10.1353/sir.2010.0061
  5. restricted access
  1. Antiguo presente
  2. Manuel Alcántara
  3. p. 50
  4. DOI: https://doi.org/10.1353/sir.2010.0028
  5. restricted access
  1. The Ancient Present
  2. Manuel Alcántara, Mark C. Aldrich
  3. p. 51
  4. DOI: https://doi.org/10.1353/sir.2010.0068
  5. restricted access
  1. Soneto para pedir tiempo al tiempo
  2. Manuel Alcántara
  3. p. 52
  4. DOI: https://doi.org/10.1353/sir.2010.0036
  5. restricted access
  1. Sonnet to Plea for Time From Time
  2. Manuel Alcántara, Mark C. Aldrich
  3. p. 53
  4. DOI: https://doi.org/10.1353/sir.2010.0059
  5. restricted access
  1. Soneto para pedir por mis manos
  2. Manuel Alcántara
  3. p. 54
  4. DOI: https://doi.org/10.1353/sir.2010.0044
  5. restricted access
  1. Sonnet to Plea for My Hands
  2. Manuel Alcántara, Mark C. Aldrich
  3. p. 55
  4. DOI: https://doi.org/10.1353/sir.2010.0060
  5. restricted access
  1. Soneto para pedir por los hombres de España
  2. Manuel Alcántara
  3. p. 56
  4. DOI: https://doi.org/10.1353/sir.2010.0002
  5. restricted access
  1. Sonnet to Plea for the Men of Spain
  2. Manuel Alcántara, Mark C. Aldrich
  3. p. 57
  4. DOI: https://doi.org/10.1353/sir.2010.0085
  5. restricted access
  1. Soneto para pedir por los amigos muertos
  2. Manuel Alcántara
  3. p. 58
  4. DOI: https://doi.org/10.1353/sir.2010.0010
  5. restricted access
  1. Sonnet to Plea for Dead Friends
  2. Manuel Alcántara, Mark C. Aldrich
  3. p. 59
  4. DOI: https://doi.org/10.1353/sir.2010.0053
  5. restricted access
  1. Soneto para acabar un amor
  2. Manuel Alcántara
  3. p. 60
  4. DOI: https://doi.org/10.1353/sir.2010.0018
  5. restricted access
  1. Sonnet at the End of Love
  2. Manuel Alcántara, Mark C. Aldrich
  3. p. 61
  4. DOI: https://doi.org/10.1353/sir.2010.0078
  5. restricted access
  1. Abderramán III, poco antes de morir, hace confidencias
  2. Manuel Alcántara
  3. p. 62
  4. DOI: https://doi.org/10.1353/sir.2010.0025
  5. restricted access
  1. Abdurrahman III, Shortly Before Dying, Confesses
  2. Manuel Alcántara, Mark C. Aldrich
  3. p. 63
  4. DOI: https://doi.org/10.1353/sir.2010.0070
  5. restricted access
  1. Plaza Mayor de Manuel Alcántara: una visión de España
  2. Francisco Ruiz Noguera
  3. pp. 66-76
  4. DOI: https://doi.org/10.1353/sir.2010.0033
  5. restricted access
  1. Manuel Alcántara's Plaza Mayor: A Vision of Spain
  2. Francisco Ruiz Noguera, Mark C. Aldrich
  3. pp. 67-77
  4. DOI: https://doi.org/10.1353/sir.2010.0089
  5. restricted access
  1. Manuel Alcántara y la pasión poética del articulista
  2. Teodoro León Gross
  3. pp. 80-86
  4. DOI: https://doi.org/10.1353/sir.2010.0041
  5. restricted access
  1. Manuel Alcántara and the Poetic Passion of the Columnist
  2. Teodoro León Gross, Mark C. Aldrich
  3. pp. 81-87
  4. DOI: https://doi.org/10.1353/sir.2010.0072
  5. restricted access
  1. La sirenita
  2. Ana Merino
  3. p. 90
  4. DOI: https://doi.org/10.1353/sir.2010.0049
  5. restricted access
  1. The Little Mermaid
  2. Ana Merino, Toshiya Kamei
  3. p. 91
  4. DOI: https://doi.org/10.1353/sir.2010.0069
  5. restricted access
  1. Nagasaki en cada aniversario
  2. Ana Merino
  3. pp. 92-94
  4. DOI: https://doi.org/10.1353/sir.2010.0007
  5. restricted access
  1. Nagasaki on Each Anniversary
  2. Ana Merino, Toshiya Kamei
  3. pp. 93-95
  4. DOI: https://doi.org/10.1353/sir.2010.0066
  5. restricted access
  1. Pequeña angustia
  2. Ana Merino
  3. p. 96
  4. DOI: https://doi.org/10.1353/sir.2010.0015
  5. restricted access
  1. Small Anguish
  2. Ana Merino, Toshiya Kamei
  3. p. 97
  4. DOI: https://doi.org/10.1353/sir.2010.0054
  5. restricted access
  1. Los sueños del prisionero
  2. Ana Merino
  3. p. 98
  4. DOI: https://doi.org/10.1353/sir.2010.0022
  5. restricted access
  1. The Prisoner's Dreams
  2. Ana Merino, Toshiya Kamei
  3. p. 99
  4. DOI: https://doi.org/10.1353/sir.2010.0074
  5. restricted access
  1. Palomas
  2. Ana Merino
  3. p. 100
  4. DOI: https://doi.org/10.1353/sir.2010.0030
  5. restricted access
  1. Pigeons
  2. Ana Merino, Toshiya Kamei
  3. p. 101
  4. DOI: https://doi.org/10.1353/sir.2010.0062
  5. restricted access
  1. Para cazar vampiros
  2. Ana Merino
  3. p. 102
  4. DOI: https://doi.org/10.1353/sir.2010.0038
  5. restricted access
  1. To Hunt Vampires
  2. Ana Merino, Toshiya Kamei
  3. p. 103
  4. DOI: https://doi.org/10.1353/sir.2010.0073
  5. restricted access
  1. Canción recién antigua
  2. Ángel Escobar
  3. p. 106
  4. DOI: https://doi.org/10.1353/sir.2010.0046
  5. restricted access
  1. Newly Ancient Song
  2. Ángel Escobar, Kristin Dykstra
  3. p. 107
  4. DOI: https://doi.org/10.1353/sir.2010.0071
  5. restricted access
  1. Otra canción
  2. Ángel Escobar
  3. p. 108
  4. DOI: https://doi.org/10.1353/sir.2010.0004
  5. restricted access
  1. Another Song
  2. Ángel Escobar, Kristin Dykstra
  3. p. 109
  4. DOI: https://doi.org/10.1353/sir.2010.0076
  5. restricted access
  1. Colección
  2. Ángel Escobar
  3. p. 110
  4. DOI: https://doi.org/10.1353/sir.2010.0012
  5. restricted access
  1. Collection
  2. Ángel Escobar, Kristin Dykstra
  3. p. 111
  4. DOI: https://doi.org/10.1353/sir.2010.0065
  5. restricted access
  1. Una consulta
  2. Ángel Escobar
  3. p. 112
  4. DOI: https://doi.org/10.1353/sir.2010.0020
  5. restricted access
  1. A Consultation
  2. Ángel Escobar, Kristin Dykstra
  3. p. 113
  4. DOI: https://doi.org/10.1353/sir.2010.0084
  5. restricted access
  1. [Si sospechas de mí]
  2. Ángel Escobar
  3. p. 114
  4. DOI: https://doi.org/10.1353/sir.2010.0027
  5. restricted access
  1. [If you're suspicious of me]
  2. Ángel Escobar, Kristin Dykstra
  3. p. 115
  4. DOI: https://doi.org/10.1353/sir.2010.0083
  5. restricted access
  1. Otro texto sobre otra prueba y otra prueba
  2. Ángel Escobar
  3. pp. 116-118
  4. DOI: https://doi.org/10.1353/sir.2010.0035
  5. restricted access
  1. Another Text About Another Proof and Another Proof
  2. Ángel Escobar, Kristin Dykstra
  3. pp. 117-119
  4. DOI: https://doi.org/10.1353/sir.2010.0081
  5. restricted access
  1. Ángel Escobar and the other shipwrecks
  2. Efraín Rodríguez Santana, Kristin Dykstra
  3. pp. 122-125
  4. DOI: https://doi.org/10.1353/sir.2010.0043
  5. restricted access
  1. Reflections on a Conversation with Ana María Jiménez, Wife of Ángel Escobar
  2. Juliet Lynd
  3. pp. 126-136
  4. DOI: https://doi.org/10.1353/sir.2010.0001
  5. restricted access
  1. Translator's Note to the Fables of Félix María Samaniego
  2. G. J. Racz
  3. p. 138
  4. DOI: https://doi.org/10.1353/sir.2010.0009
  5. restricted access
  1. El águila y el escarabajo
  2. Félix de Samaniego
  3. pp. 142-144
  4. DOI: https://doi.org/10.1353/sir.2010.0017
  5. restricted access
  1. The Eagle and the Beetle
  2. Félix de Samaniego, G. J. Racz
  3. pp. 143-145
  4. DOI: https://doi.org/10.1353/sir.2010.0093
  5. restricted access
  1. Las ranas pidiendo rey
  2. Félix de Samaniego
  3. p. 146
  4. DOI: https://doi.org/10.1353/sir.2010.0024
  5. restricted access
  1. The Frogs Who Asked for a King
  2. Félix de Samaniego, G. J. Racz
  3. p. 147
  4. DOI: https://doi.org/10.1353/sir.2010.0091
  5. restricted access
  1. La leona y el oso
  2. Félix de Samaniego
  3. p. 148
  4. DOI: https://doi.org/10.1353/sir.2010.0032
  5. restricted access
  1. The Lioness and the Bear
  2. Félix de Samaniego, G. J. Racz
  3. p. 149
  4. DOI: https://doi.org/10.1353/sir.2010.0080
  5. restricted access
  1. La alforja
  2. Félix de Samaniego
  3. p. 150
  4. DOI: https://doi.org/10.1353/sir.2010.0040
  5. restricted access
  1. El asno infeliz
  2. Félix de Samaniego
  3. p. 150
  4. DOI: https://doi.org/10.1353/sir.2010.0048
  5. restricted access
  1. The Hapless Ass
  2. Félix de Samaniego
  3. p. 151
  4. DOI: https://doi.org/10.1353/sir.2010.0087
  5. restricted access
  1. The Saddlebag
  2. Félix de Samaniego, G. J. Racz
  3. p. 151
  4. DOI: https://doi.org/10.1353/sir.2010.0056
  5. restricted access
  1. Colaboradores / Contributors
  3. pp. 154-157
  4. DOI: https://doi.org/10.1353/sir.2010.0006
  5. restricted access
  1. [Looking for someone]
  2. Manuel Alcántara, Mark C. Aldrich
  3. p. 34a
  4. DOI: https://doi.org/10.1353/sir.2010.0086
  5. restricted access

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