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Table of Contents

  1. Observaciones sobre Las Fuentes de Dos Comedias de Lope de Vega: El Esclavo de Roma y Lo que ha de ser
  2. Gabriel Rosado
  3. pp. 25-30
  4. DOI: https://doi.org/10.1353/boc.1972.0015
  5. restricted access
  1. Comedia Lovers and the Proprieties
  2. Margaret Wilson
  3. pp. 31-36
  4. DOI: https://doi.org/10.1353/boc.1972.0000
  5. restricted access
  1. ¿Todo Es Ventura?: Alarcon's Fortune Plays
  2. James A. Parr
  3. pp. 36-40
  4. DOI: https://doi.org/10.1353/boc.1972.0003
  5. restricted access
  1. Some Uses of Palaeographic and Orthographical Evidence in Comedia Editing
  2. Don Cruickshank
  3. pp. 40-45
  4. DOI: https://doi.org/10.1353/boc.1972.0005
  5. restricted access
  1. Posthumous Marriage: Literary Precedents for a Scene in Lope de Vega
  2. Mitchell D. Triwedi
  3. pp. 45-47
  4. DOI: https://doi.org/10.1353/boc.1972.0008
  5. restricted access
  1. MLA Program: Spanish 3
  3. p. 48
  4. DOI: https://doi.org/10.1353/boc.1972.0011
  5. restricted access
  1. El Mentidero de Comediantes
  3. pp. 48-49
  4. DOI: https://doi.org/10.1353/boc.1972.0014
  5. restricted access
  1. Homenaje a William L. Fichter
  3. pp. 49-51
  4. DOI: https://doi.org/10.1353/boc.1972.0017
  5. restricted access
  1. Bibliography of Foreign Publications on the Comedia
  2. Warren T. Mccready
  3. pp. 52-54
  4. DOI: https://doi.org/10.1353/boc.1972.0002
  5. restricted access